Menti opache. <i>Mad Men</i> e la rappresentazione dell’interiorità nelle serie TV

One of the most visible features of Mad Men is the opposition between the lavish visual surface and the lack of depth in the description of characters. It's very difficult to empathise with Don Draper and many other Mad Men's characters, because their psychology often seems completely inac...

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Main Author: Gianluigi Rossini
Format: Article
Language:English
Published: UNICApress 2014-06-01
Series:Between
Subjects:
Online Access:http://ojs.unica.it/index.php/between/article/view/1167
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author Gianluigi Rossini
author_facet Gianluigi Rossini
author_sort Gianluigi Rossini
collection DOAJ
description One of the most visible features of Mad Men is the opposition between the lavish visual surface and the lack of depth in the description of characters. It's very difficult to empathise with Don Draper and many other Mad Men's characters, because their psychology often seems completely inaccessible or unexpressed, contrary to what happens in most contemporary TV series. The aim of this essay is to show how and why the authorial agency conveys an 'opacity effect' that clouds the spectator's understanding of the thoughts and feelings of the characters. In doing this, I will place Mad Men inside a tradition of TV series centred on the psychology and emotions of characters. The analysis will be carried out within two theoretical frameworks: James Phelan's rethorical theory of narrative and Celestino Deleyto's model of film narrative.
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spelling doaj.art-27b843ec43c84877adff728dabbf0b032023-09-02T21:19:06ZengUNICApressBetween2039-65972014-06-014710.13125/2039-6597/1167829Menti opache. <i>Mad Men</i> e la rappresentazione dell’interiorità nelle serie TVGianluigi Rossini0Università dell'AquilaOne of the most visible features of Mad Men is the opposition between the lavish visual surface and the lack of depth in the description of characters. It's very difficult to empathise with Don Draper and many other Mad Men's characters, because their psychology often seems completely inaccessible or unexpressed, contrary to what happens in most contemporary TV series. The aim of this essay is to show how and why the authorial agency conveys an 'opacity effect' that clouds the spectator's understanding of the thoughts and feelings of the characters. In doing this, I will place Mad Men inside a tradition of TV series centred on the psychology and emotions of characters. The analysis will be carried out within two theoretical frameworks: James Phelan's rethorical theory of narrative and Celestino Deleyto's model of film narrative.http://ojs.unica.it/index.php/between/article/view/1167Serial narrationTV seriesMad MenNarrative rhetoricInternal focalization
spellingShingle Gianluigi Rossini
Menti opache. <i>Mad Men</i> e la rappresentazione dell’interiorità nelle serie TV
Between
Serial narration
TV series
Mad Men
Narrative rhetoric
Internal focalization
title Menti opache. <i>Mad Men</i> e la rappresentazione dell’interiorità nelle serie TV
title_full Menti opache. <i>Mad Men</i> e la rappresentazione dell’interiorità nelle serie TV
title_fullStr Menti opache. <i>Mad Men</i> e la rappresentazione dell’interiorità nelle serie TV
title_full_unstemmed Menti opache. <i>Mad Men</i> e la rappresentazione dell’interiorità nelle serie TV
title_short Menti opache. <i>Mad Men</i> e la rappresentazione dell’interiorità nelle serie TV
title_sort menti opache i mad men i e la rappresentazione dell interiorita nelle serie tv
topic Serial narration
TV series
Mad Men
Narrative rhetoric
Internal focalization
url http://ojs.unica.it/index.php/between/article/view/1167
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