Ombra, figura, allegoria nel Fuoco
The narrative function of Foscarina’s character is analyzed starting from the metaphorical field of ‘shadow’: the shadow, infact, connects this character from one side to the autumnal nature of Venice, from the other to the facies nigra of Dürer’s Melancholy. The intent is to highlight Foscarina...
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| Format: | Article |
| Language: | Italian |
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Fondazione Università Ca’ Foscari
2015-10-01
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| Series: | Archivio d’Annunzio |
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| Online Access: | http://doi.org/10.14277/2421-292X/AdA-2-15-10 |