Le roman saoudien contemporain face à ses défis

Ever since its emergence in the history of Saudi literature, the novel has been considered a troublesome type. A loose category made up of odd bits and ends, barely worthy of being referred to as “adab” (literature), the novel provoked little interest, contrary to the superior genre represented by p...

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Main Author: Salwa Almaiman
Format: Article
Language:English
Published: Centre Français d’Archéologie et de Sciences Sociales de Sanaa
Series:Arabian Humanities
Subjects:
Online Access:https://journals.openedition.org/cy/2793
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author Salwa Almaiman
author_facet Salwa Almaiman
author_sort Salwa Almaiman
collection DOAJ
description Ever since its emergence in the history of Saudi literature, the novel has been considered a troublesome type. A loose category made up of odd bits and ends, barely worthy of being referred to as “adab” (literature), the novel provoked little interest, contrary to the superior genre represented by poetry, “the Diwān (register) of the Arabs”. Since the early 1990s, this state of things has changed considerably and all observers of the Arab literary scene wonder at these novels which come out every year and that get the attention of the press, critics, and other social actors unrelated to the literary world. The fact that new titles keep coming out despite the difficulties linked to publishing and to the novel’s diffusion networks raises many issues regarding both the legitimacy of the writer and that of the genre itself. Writing a novel remains thus conditional upon meeting several challenges, only too obvious to the writer without recognition.
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spelling doaj.art-283f73b362ca443fa3b4b051056ef5152024-02-14T09:17:25ZengCentre Français d’Archéologie et de Sciences Sociales de SanaaArabian Humanities2308-6122310.4000/cy.2793Le roman saoudien contemporain face à ses défisSalwa AlmaimanEver since its emergence in the history of Saudi literature, the novel has been considered a troublesome type. A loose category made up of odd bits and ends, barely worthy of being referred to as “adab” (literature), the novel provoked little interest, contrary to the superior genre represented by poetry, “the Diwān (register) of the Arabs”. Since the early 1990s, this state of things has changed considerably and all observers of the Arab literary scene wonder at these novels which come out every year and that get the attention of the press, critics, and other social actors unrelated to the literary world. The fact that new titles keep coming out despite the difficulties linked to publishing and to the novel’s diffusion networks raises many issues regarding both the legitimacy of the writer and that of the genre itself. Writing a novel remains thus conditional upon meeting several challenges, only too obvious to the writer without recognition.https://journals.openedition.org/cy/2793novelSaudi ArabiadiffusiondistributioncensorshipInternet
spellingShingle Salwa Almaiman
Le roman saoudien contemporain face à ses défis
Arabian Humanities
novel
Saudi Arabia
diffusion
distribution
censorship
Internet
title Le roman saoudien contemporain face à ses défis
title_full Le roman saoudien contemporain face à ses défis
title_fullStr Le roman saoudien contemporain face à ses défis
title_full_unstemmed Le roman saoudien contemporain face à ses défis
title_short Le roman saoudien contemporain face à ses défis
title_sort le roman saoudien contemporain face a ses defis
topic novel
Saudi Arabia
diffusion
distribution
censorship
Internet
url https://journals.openedition.org/cy/2793
work_keys_str_mv AT salwaalmaiman leromansaoudiencontemporainfaceasesdefis