Preserving Gambang Semarang Music Through The Process of Enculturation in The Society

This study was devoted to investigating the preservation of gambang Semarang music through the enculturation process comprehensively. Two basic strategies were employed in examining research problems: using theoretical approaches in traditional music, preservation, and enculturation and a qualitativ...

Full description

Bibliographic Details
Main Authors: Eko Raharjo, Soesanto Soesanto, Tjetjep Rohendi Rohidi, Udi Utomo
Format: Article
Language:English
Published: Universitas Negeri Semarang 2021-06-01
Series:Harmonia: Journal of Arts Research and Education
Subjects:
Online Access:https://journal.unnes.ac.id/nju/index.php/harmonia/article/view/27722
_version_ 1797792502030270464
author Eko Raharjo
Soesanto Soesanto
Tjetjep Rohendi Rohidi
Udi Utomo
author_facet Eko Raharjo
Soesanto Soesanto
Tjetjep Rohendi Rohidi
Udi Utomo
author_sort Eko Raharjo
collection DOAJ
description This study was devoted to investigating the preservation of gambang Semarang music through the enculturation process comprehensively. Two basic strategies were employed in examining research problems: using theoretical approaches in traditional music, preservation, and enculturation and a qualitative approach. Further, the target and site comprised gambang Semarang music preservation through the enculturation process among Semarang people. The data were collected from observation, interviews, documentation, and library research. Data validity applied source, time, theory, and researcher triangulation. The collected data and information were then analyzed inductively by relying on an interactive analysis model with the following steps: data reduction, display, and verification. It was suggested that the enculturation process of gambang Semarang music within three generations in the nang nok gambang Semarang group served as the activity of cultural awareness of society, artists, and performers. It was to carry out the enculturation process towards young generations, even children, as the future generations. The approaches to the teaching and learning process were modeling, conditioning, and internalization. Such an enculturation process was proven to function effectively as the cultural mechanism and enculturation model in preserving gambang Semarang music as the cultural identity of Semarangan.
first_indexed 2024-03-13T02:35:02Z
format Article
id doaj.art-28569805206941b0bc3574ce778aa68f
institution Directory Open Access Journal
issn 2541-1683
2541-2426
language English
last_indexed 2024-03-13T02:35:02Z
publishDate 2021-06-01
publisher Universitas Negeri Semarang
record_format Article
series Harmonia: Journal of Arts Research and Education
spelling doaj.art-28569805206941b0bc3574ce778aa68f2023-06-29T07:32:32ZengUniversitas Negeri SemarangHarmonia: Journal of Arts Research and Education2541-16832541-24262021-06-01211606710.15294/harmonia.v21i1.2772211074Preserving Gambang Semarang Music Through The Process of Enculturation in The SocietyEko Raharjo0Soesanto Soesanto1Tjetjep Rohendi Rohidi2Udi Utomo3Universitas Negeri SemarangUniversitas Negeri Semarang, IndonesiaUniversitas Negeri Semarang, IndonesiaUniversitas Negeri Semarang, IndonesiaThis study was devoted to investigating the preservation of gambang Semarang music through the enculturation process comprehensively. Two basic strategies were employed in examining research problems: using theoretical approaches in traditional music, preservation, and enculturation and a qualitative approach. Further, the target and site comprised gambang Semarang music preservation through the enculturation process among Semarang people. The data were collected from observation, interviews, documentation, and library research. Data validity applied source, time, theory, and researcher triangulation. The collected data and information were then analyzed inductively by relying on an interactive analysis model with the following steps: data reduction, display, and verification. It was suggested that the enculturation process of gambang Semarang music within three generations in the nang nok gambang Semarang group served as the activity of cultural awareness of society, artists, and performers. It was to carry out the enculturation process towards young generations, even children, as the future generations. The approaches to the teaching and learning process were modeling, conditioning, and internalization. Such an enculturation process was proven to function effectively as the cultural mechanism and enculturation model in preserving gambang Semarang music as the cultural identity of Semarangan.https://journal.unnes.ac.id/nju/index.php/harmonia/article/view/27722enculturationgambang semarang music
spellingShingle Eko Raharjo
Soesanto Soesanto
Tjetjep Rohendi Rohidi
Udi Utomo
Preserving Gambang Semarang Music Through The Process of Enculturation in The Society
Harmonia: Journal of Arts Research and Education
enculturation
gambang semarang music
title Preserving Gambang Semarang Music Through The Process of Enculturation in The Society
title_full Preserving Gambang Semarang Music Through The Process of Enculturation in The Society
title_fullStr Preserving Gambang Semarang Music Through The Process of Enculturation in The Society
title_full_unstemmed Preserving Gambang Semarang Music Through The Process of Enculturation in The Society
title_short Preserving Gambang Semarang Music Through The Process of Enculturation in The Society
title_sort preserving gambang semarang music through the process of enculturation in the society
topic enculturation
gambang semarang music
url https://journal.unnes.ac.id/nju/index.php/harmonia/article/view/27722
work_keys_str_mv AT ekoraharjo preservinggambangsemarangmusicthroughtheprocessofenculturationinthesociety
AT soesantosoesanto preservinggambangsemarangmusicthroughtheprocessofenculturationinthesociety
AT tjetjeprohendirohidi preservinggambangsemarangmusicthroughtheprocessofenculturationinthesociety
AT udiutomo preservinggambangsemarangmusicthroughtheprocessofenculturationinthesociety