Breyten Breytenbach se <i>Boek</i>: die taal (poësie) as voelinstrument om bewussyn te verken
Breyten Breytenbach’s Boek: language (poetry) as feelinginstrument to explore consciousness One of the big questions of science is the mystery of consciousness. How is it possible that a state of consciousness, an awareness of your own being and actions, can originate from matter, from the movemen...
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| Format: | Article |
| Language: | Afrikaans |
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AOSIS
2005-07-01
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| Series: | Literator |
| Subjects: | |
| Online Access: | https://literator.org.za/index.php/literator/article/view/234 |
| _version_ | 1831740284699934720 |
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| author | W. Burger |
| author_facet | W. Burger |
| author_sort | W. Burger |
| collection | DOAJ |
| description | Breyten Breytenbach’s Boek: language (poetry) as feelinginstrument to explore consciousness
One of the big questions of science is the mystery of consciousness. How is it possible that a state of consciousness, an awareness of your own being and actions, can originate from matter, from the movement of neurons in nerve tissue? While neuroscience does not have answers to these questions (yet), the subjective exploration of consciousness by means of works of art, could make a valuable contribution. Breyten Breytenbach explicitly views his art (writing and painting) as ways to investigate consciousness.
In “Boek” (1987) Breytenbach explains his views on art. In this complex work, he focusses, among other aspects, on the idea that the work of art, at a specific moment, produces an “other”, a meaning that has not hitherto existed somewhere, waiting to be discovered. This hitherto unknown meaning comes into existence in the moment of creation.
The creative moment in which the hitherto unknown is wrestled from the known, cannot be produced by following a recipe. The unknown, the other, virtually invades the world of the artist, as if the work of art happens to the artist, instead of him creating it. This experience has a changing effect on the artist and in the process he learns more about his own consciousness.
The changing effect is not restricted to the artist, as the reader of the poem shares this experience. Because the reader is also writer, according to Breytenbach, the work of art is recreated by the reader and the reader has the same experience of a virtual invasion of the “other” on his/her own life and in the process also discovers more about his/her own consciousness. |
| first_indexed | 2024-12-21T13:54:11Z |
| format | Article |
| id | doaj.art-2865256981ba487a8c7bc9e8789dc790 |
| institution | Directory Open Access Journal |
| issn | 0258-2279 2219-8237 |
| language | Afrikaans |
| last_indexed | 2024-12-21T13:54:11Z |
| publishDate | 2005-07-01 |
| publisher | AOSIS |
| record_format | Article |
| series | Literator |
| spelling | doaj.art-2865256981ba487a8c7bc9e8789dc7902022-12-21T19:01:36ZafrAOSISLiterator0258-22792219-82372005-07-0126312210.4102/lit.v26i3.234206Breyten Breytenbach se <i>Boek</i>: die taal (poësie) as voelinstrument om bewussyn te verkenW. Burger0Departement Afrikaans, Universiteit van JohannesburgBreyten Breytenbach’s Boek: language (poetry) as feelinginstrument to explore consciousness One of the big questions of science is the mystery of consciousness. How is it possible that a state of consciousness, an awareness of your own being and actions, can originate from matter, from the movement of neurons in nerve tissue? While neuroscience does not have answers to these questions (yet), the subjective exploration of consciousness by means of works of art, could make a valuable contribution. Breyten Breytenbach explicitly views his art (writing and painting) as ways to investigate consciousness. In “Boek” (1987) Breytenbach explains his views on art. In this complex work, he focusses, among other aspects, on the idea that the work of art, at a specific moment, produces an “other”, a meaning that has not hitherto existed somewhere, waiting to be discovered. This hitherto unknown meaning comes into existence in the moment of creation. The creative moment in which the hitherto unknown is wrestled from the known, cannot be produced by following a recipe. The unknown, the other, virtually invades the world of the artist, as if the work of art happens to the artist, instead of him creating it. This experience has a changing effect on the artist and in the process he learns more about his own consciousness. The changing effect is not restricted to the artist, as the reader of the poem shares this experience. Because the reader is also writer, according to Breytenbach, the work of art is recreated by the reader and the reader has the same experience of a virtual invasion of the “other” on his/her own life and in the process also discovers more about his/her own consciousness.https://literator.org.za/index.php/literator/article/view/234BoekPrison LiteratureBreyten BreytenbachConsciousnessPoetryFunctions Of Art |
| spellingShingle | W. Burger Breyten Breytenbach se <i>Boek</i>: die taal (poësie) as voelinstrument om bewussyn te verken Literator Boek Prison Literature Breyten Breytenbach Consciousness Poetry Functions Of Art |
| title | Breyten Breytenbach se <i>Boek</i>: die taal (poësie) as voelinstrument om bewussyn te verken |
| title_full | Breyten Breytenbach se <i>Boek</i>: die taal (poësie) as voelinstrument om bewussyn te verken |
| title_fullStr | Breyten Breytenbach se <i>Boek</i>: die taal (poësie) as voelinstrument om bewussyn te verken |
| title_full_unstemmed | Breyten Breytenbach se <i>Boek</i>: die taal (poësie) as voelinstrument om bewussyn te verken |
| title_short | Breyten Breytenbach se <i>Boek</i>: die taal (poësie) as voelinstrument om bewussyn te verken |
| title_sort | breyten breytenbach se i boek i die taal poesie as voelinstrument om bewussyn te verken |
| topic | Boek Prison Literature Breyten Breytenbach Consciousness Poetry Functions Of Art |
| url | https://literator.org.za/index.php/literator/article/view/234 |
| work_keys_str_mv | AT wburger breytenbreytenbachseiboekidietaalpoesieasvoelinstrumentombewussynteverken |