The Space of Colour and the Colour of Space

In the visual arts, the constructions of the spatial and chromatic structures of pictures can hardly be separated from each other. The phenomenological approach from the perspective of the arts provides an independent and worthwhile approach to the topic of colour and space. We address some matters...

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Main Authors: Koenderink Jan, van Doorn Andrea
Format: Article
Language:deu
Published: Sciendo 2022-08-01
Series:Gestalt Theory
Subjects:
Online Access:https://doi.org/10.2478/gth-2022-0004
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author Koenderink Jan
van Doorn Andrea
author_facet Koenderink Jan
van Doorn Andrea
author_sort Koenderink Jan
collection DOAJ
description In the visual arts, the constructions of the spatial and chromatic structures of pictures can hardly be separated from each other. The phenomenological approach from the perspective of the arts provides an independent and worthwhile approach to the topic of colour and space. We address some matters of composition in design and, to some extent, in naturalistic painting. The phenomenological approach from the perspective of the arts reveals various topics that invite further investigation by the means of generic vision science. However, although such studies might lead to increased academic insight, a thorough inquiry by the means of experimental phenomenology might well lead to formal descriptions that come somewhat closer to possible applications in the visual arts.
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spelling doaj.art-28836d5169a8455e82e125f49c9520f42022-12-22T04:36:01ZdeuSciendoGestalt Theory2519-58082022-08-01441-2274010.2478/gth-2022-0004The Space of Colour and the Colour of SpaceKoenderink Jan0van Doorn Andrea1University of Leuven (KUL), Faculty of Psychology and Educational Sciences – Experimental Psychology Unit, Tiensestraat 102, Box 3711, 3000Leuven, Belgium.Utrecht University, Social and Behavioural Sciences – Experimental Psychology, Martinus J. Langeveldgebouw, Heidelberglaan 1, 3584 CSUtrecht, The Netherlands.In the visual arts, the constructions of the spatial and chromatic structures of pictures can hardly be separated from each other. The phenomenological approach from the perspective of the arts provides an independent and worthwhile approach to the topic of colour and space. We address some matters of composition in design and, to some extent, in naturalistic painting. The phenomenological approach from the perspective of the arts reveals various topics that invite further investigation by the means of generic vision science. However, although such studies might lead to increased academic insight, a thorough inquiry by the means of experimental phenomenology might well lead to formal descriptions that come somewhat closer to possible applications in the visual arts.https://doi.org/10.2478/gth-2022-0004colour spacespaceecologyphenomenology
spellingShingle Koenderink Jan
van Doorn Andrea
The Space of Colour and the Colour of Space
Gestalt Theory
colour space
space
ecology
phenomenology
title The Space of Colour and the Colour of Space
title_full The Space of Colour and the Colour of Space
title_fullStr The Space of Colour and the Colour of Space
title_full_unstemmed The Space of Colour and the Colour of Space
title_short The Space of Colour and the Colour of Space
title_sort space of colour and the colour of space
topic colour space
space
ecology
phenomenology
url https://doi.org/10.2478/gth-2022-0004
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