Eine liturgische Handschrift mit Tonar der Zagreber Diözese aus dem 17. Jahrhundert

The study deals with a thus far little considered compilation of rituals. It emerged in a corner of southern Hungary saved from the Ottoman occupation where no liturgical chant book sources from the Middle Ages survive. The clerical copyist must have been familiar not only with Péter Pázmány’s Ritua...

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Main Author: Ágnes Papp
Format: Article
Language:deu
Published: ZRC SAZU, Založba ZRC 2015-06-01
Series:De Musica Disserenda
Subjects:
Online Access:https://ojs.zrc-sazu.si/dmd/article/view/2200
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author Ágnes Papp
author_facet Ágnes Papp
author_sort Ágnes Papp
collection DOAJ
description The study deals with a thus far little considered compilation of rituals. It emerged in a corner of southern Hungary saved from the Ottoman occupation where no liturgical chant book sources from the Middle Ages survive. The clerical copyist must have been familiar not only with Péter Pázmány’s Rituale Strigoniense of 1625, which came into being after the Council of Trent, but also with some of the ritual editions printed after 1500 that preserved the old Gregorian liturgical usage. The musical examples of the tonary, chosen in an unusual manner, point to the fact that for this scribe the local, ingrained medieval Gregorian tradition was a living treasury as late as around 1650.
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spelling doaj.art-28bc60a50f2149b8847e2727c011197b2022-12-22T01:40:28ZdeuZRC SAZU, Založba ZRCDe Musica Disserenda1854-34052536-26152015-06-0191-29912110.3986/dmd09.1-2.061713Eine liturgische Handschrift mit Tonar der Zagreber Diözese aus dem 17. JahrhundertÁgnes Papp0Hungarian Academy of Sciences, Research Centre for the Humanities, Institute for MusicologyThe study deals with a thus far little considered compilation of rituals. It emerged in a corner of southern Hungary saved from the Ottoman occupation where no liturgical chant book sources from the Middle Ages survive. The clerical copyist must have been familiar not only with Péter Pázmány’s Rituale Strigoniense of 1625, which came into being after the Council of Trent, but also with some of the ritual editions printed after 1500 that preserved the old Gregorian liturgical usage. The musical examples of the tonary, chosen in an unusual manner, point to the fact that for this scribe the local, ingrained medieval Gregorian tradition was a living treasury as late as around 1650.https://ojs.zrc-sazu.si/dmd/article/view/2200ritualtonaryzagreb diocesegregorian chant after the middle ages
spellingShingle Ágnes Papp
Eine liturgische Handschrift mit Tonar der Zagreber Diözese aus dem 17. Jahrhundert
De Musica Disserenda
ritual
tonary
zagreb diocese
gregorian chant after the middle ages
title Eine liturgische Handschrift mit Tonar der Zagreber Diözese aus dem 17. Jahrhundert
title_full Eine liturgische Handschrift mit Tonar der Zagreber Diözese aus dem 17. Jahrhundert
title_fullStr Eine liturgische Handschrift mit Tonar der Zagreber Diözese aus dem 17. Jahrhundert
title_full_unstemmed Eine liturgische Handschrift mit Tonar der Zagreber Diözese aus dem 17. Jahrhundert
title_short Eine liturgische Handschrift mit Tonar der Zagreber Diözese aus dem 17. Jahrhundert
title_sort eine liturgische handschrift mit tonar der zagreber diozese aus dem 17 jahrhundert
topic ritual
tonary
zagreb diocese
gregorian chant after the middle ages
url https://ojs.zrc-sazu.si/dmd/article/view/2200
work_keys_str_mv AT agnespapp eineliturgischehandschriftmittonarderzagreberdiozeseausdem17jahrhundert