The Mosaics with Animals Theme in the Southern Adriatic Between 4th and 6th century A.D.: Decorative and Iconographic Schemes in Comparison
The study of the mosaics found on the south-east Adriatic coasts, between Epirus Nova and Epirus Vetus (the current Albania), highlights significant analogies between the animals’ representations depicted on these floors and those represented on the early Christian basilicas or buildings cover floor...
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Format: | Article |
Language: | deu |
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Bursa Uludağ University Mosaic Research Centre
2012-11-01
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Series: | Journal of Mosaic Research |
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Online Access: | https://dergipark.org.tr/tr/download/article-file/294070 |
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author | Elda OMARI |
author_facet | Elda OMARI |
author_sort | Elda OMARI |
collection | DOAJ |
description | The study of the mosaics found on the south-east Adriatic coasts, between Epirus Nova and Epirus Vetus (the current Albania), highlights significant analogies between the animals’ representations depicted on these floors and those represented on the early Christian basilicas or buildings cover floors in Syria, Turkey and in some other important centers of Eastern Mediterranean and Northern Adriatic. The iconographic and the iconological analyses offer new clues to reflect on some well-known models which circulated throughout the Adriatic and the Mediterranean areas between 4 and 6th century A.D., in geometri- cal and figure patterns (Aquileia, Butrinto, etc.), as well as in daily-life patterns (Dyrrachium, Bylis, Costan- tinople, etc.). Also, there are interesting parallels between these patterns and those of the Orpheus mosaics (Ulpiana, Sicily, Sparta, Chahba, Istambul, etc.). The comparisons which will be drawn will enable us to reflect on the connections between Eastern and Western Adriatic areas with important centers in the late ancient era, which the sea does not divide, but rather brings together: such a perspective is viewed as extremely important in the study of the history of coastal countries in the Adriatic, the Mediterranean and beyond. |
first_indexed | 2024-04-10T13:55:03Z |
format | Article |
id | doaj.art-28bdbed5d0c64eada8285d38c399243f |
institution | Directory Open Access Journal |
issn | 1309-047X 2619-9165 |
language | deu |
last_indexed | 2024-04-10T13:55:03Z |
publishDate | 2012-11-01 |
publisher | Bursa Uludağ University Mosaic Research Centre |
record_format | Article |
series | Journal of Mosaic Research |
spelling | doaj.art-28bdbed5d0c64eada8285d38c399243f2023-02-15T16:10:30ZdeuBursa Uludağ University Mosaic Research CentreJournal of Mosaic Research1309-047X2619-91652012-11-015115129The Mosaics with Animals Theme in the Southern Adriatic Between 4th and 6th century A.D.: Decorative and Iconographic Schemes in ComparisonElda OMARI0Università degli Studi di Padova, Dipartimento di Archeologia Piazza Capitaniato, 7 – 35139 PadovaThe study of the mosaics found on the south-east Adriatic coasts, between Epirus Nova and Epirus Vetus (the current Albania), highlights significant analogies between the animals’ representations depicted on these floors and those represented on the early Christian basilicas or buildings cover floors in Syria, Turkey and in some other important centers of Eastern Mediterranean and Northern Adriatic. The iconographic and the iconological analyses offer new clues to reflect on some well-known models which circulated throughout the Adriatic and the Mediterranean areas between 4 and 6th century A.D., in geometri- cal and figure patterns (Aquileia, Butrinto, etc.), as well as in daily-life patterns (Dyrrachium, Bylis, Costan- tinople, etc.). Also, there are interesting parallels between these patterns and those of the Orpheus mosaics (Ulpiana, Sicily, Sparta, Chahba, Istambul, etc.). The comparisons which will be drawn will enable us to reflect on the connections between Eastern and Western Adriatic areas with important centers in the late ancient era, which the sea does not divide, but rather brings together: such a perspective is viewed as extremely important in the study of the history of coastal countries in the Adriatic, the Mediterranean and beyond.https://dergipark.org.tr/tr/download/article-file/294070albania mosaicepirusorpheusmediterraneanadriatic seaanimals |
spellingShingle | Elda OMARI The Mosaics with Animals Theme in the Southern Adriatic Between 4th and 6th century A.D.: Decorative and Iconographic Schemes in Comparison Journal of Mosaic Research albania mosaic epirus orpheus mediterranean adriatic sea animals |
title | The Mosaics with Animals Theme in the Southern Adriatic Between 4th and 6th century A.D.: Decorative and Iconographic Schemes in Comparison |
title_full | The Mosaics with Animals Theme in the Southern Adriatic Between 4th and 6th century A.D.: Decorative and Iconographic Schemes in Comparison |
title_fullStr | The Mosaics with Animals Theme in the Southern Adriatic Between 4th and 6th century A.D.: Decorative and Iconographic Schemes in Comparison |
title_full_unstemmed | The Mosaics with Animals Theme in the Southern Adriatic Between 4th and 6th century A.D.: Decorative and Iconographic Schemes in Comparison |
title_short | The Mosaics with Animals Theme in the Southern Adriatic Between 4th and 6th century A.D.: Decorative and Iconographic Schemes in Comparison |
title_sort | mosaics with animals theme in the southern adriatic between 4th and 6th century a d decorative and iconographic schemes in comparison |
topic | albania mosaic epirus orpheus mediterranean adriatic sea animals |
url | https://dergipark.org.tr/tr/download/article-file/294070 |
work_keys_str_mv | AT eldaomari themosaicswithanimalsthemeinthesouthernadriaticbetween4thand6thcenturyaddecorativeandiconographicschemesincomparison AT eldaomari mosaicswithanimalsthemeinthesouthernadriaticbetween4thand6thcenturyaddecorativeandiconographicschemesincomparison |