Brutal truth: modern(ist) aesthetics and death metal

ABSTRACTHere, I explore a modernist aesthetics of death metal. First, I briefly describe a few themes that characterize some modern art, without any claim that they are necessary, sufficient, or exhaustive. The goal is to obtain a set of themes that might be set against similar themes characteristic...

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Main Author: Benjamin W. McCraw
Format: Article
Language:English
Published: Taylor & Francis Group 2024-12-01
Series:Journal of Aesthetics & Culture
Subjects:
Online Access:https://www.tandfonline.com/doi/10.1080/20004214.2024.2328878
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author Benjamin W. McCraw
author_facet Benjamin W. McCraw
author_sort Benjamin W. McCraw
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description ABSTRACTHere, I explore a modernist aesthetics of death metal. First, I briefly describe a few themes that characterize some modern art, without any claim that they are necessary, sufficient, or exhaustive. The goal is to obtain a set of themes that might be set against similar themes characteristic of death metal. This is the task in the second half of the paper. In particular, I argue that (some) modernist art and death metal share themes centered on transgressively breaking with the past, pursue their conception of the truth, eliminate elements in their art form to purify them, and attack the art/non-art or music/non-music distinction. I contend that centering on death metal vocals reflects these themes. Death metal growls, like some modernist art, transgresses on past vocal traditions, tells us important truths, eliminates traditional concepts/techniques of signing, and undermines the singing/noise distinction.
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spelling doaj.art-28daeab85c9e4f179dedd0a0166f1b5f2024-03-13T15:40:08ZengTaylor & Francis GroupJournal of Aesthetics & Culture2000-42142024-12-0116110.1080/20004214.2024.2328878Brutal truth: modern(ist) aesthetics and death metalBenjamin W. McCraw0Department of History, Political Science, Philosophy, and American Studies, University of South Carolina Upstate, Spartanburg, SC, USAABSTRACTHere, I explore a modernist aesthetics of death metal. First, I briefly describe a few themes that characterize some modern art, without any claim that they are necessary, sufficient, or exhaustive. The goal is to obtain a set of themes that might be set against similar themes characteristic of death metal. This is the task in the second half of the paper. In particular, I argue that (some) modernist art and death metal share themes centered on transgressively breaking with the past, pursue their conception of the truth, eliminate elements in their art form to purify them, and attack the art/non-art or music/non-music distinction. I contend that centering on death metal vocals reflects these themes. Death metal growls, like some modernist art, transgresses on past vocal traditions, tells us important truths, eliminates traditional concepts/techniques of signing, and undermines the singing/noise distinction.https://www.tandfonline.com/doi/10.1080/20004214.2024.2328878Death Metalmodernist Arttransgression
spellingShingle Benjamin W. McCraw
Brutal truth: modern(ist) aesthetics and death metal
Journal of Aesthetics & Culture
Death Metal
modernist Art
transgression
title Brutal truth: modern(ist) aesthetics and death metal
title_full Brutal truth: modern(ist) aesthetics and death metal
title_fullStr Brutal truth: modern(ist) aesthetics and death metal
title_full_unstemmed Brutal truth: modern(ist) aesthetics and death metal
title_short Brutal truth: modern(ist) aesthetics and death metal
title_sort brutal truth modern ist aesthetics and death metal
topic Death Metal
modernist Art
transgression
url https://www.tandfonline.com/doi/10.1080/20004214.2024.2328878
work_keys_str_mv AT benjaminwmccraw brutaltruthmodernistaestheticsanddeathmetal