The Autobiographical Photo-textual Devices. Rhetorics and Truth

The case of autobiographical photo-texts is to be analyzed, first of all, as an autobiographical writing that feels the need to express by other means; secondly, as a specific rhetoric practice that chooses the image, next to the word, as a further persuasive force; finally, as a very special case o...

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Main Author: Roberta Coglitore
Format: Article
Language:English
Published: UNICApress 2014-05-01
Series:Between
Subjects:
Online Access:http://ojs.unica.it/index.php/between/article/view/1170
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author Roberta Coglitore
author_facet Roberta Coglitore
author_sort Roberta Coglitore
collection DOAJ
description The case of autobiographical photo-texts is to be analyzed, first of all, as an autobiographical writing that feels the need to express by other means; secondly, as a specific rhetoric practice that chooses the image, next to the word, as a further persuasive force; finally, as a very special case of icono-texts, which uses some variety of the connection between the verbal and the visual. It is not only a matter of analyzing how it works the cooperation between photographs and autobiographical writing, that is, through which connectors – frames, white space, overlays and captions –, but also of understanding what are the functions of the photographs in relation to literature. This is in order to understand what truth is affirmed in the examples chosen: Franca Valeri, Grégoire Bouillier, Roland Barthes, Winfried G. Sebald, Lalla Romano, Jovanotti, Edward Said, Azar Nafisi, Vladimir Nabokov, André Breton, Hannah Höch, Annie Ernaux. Do photographs expose, confirm, add or resist the truth expressed by the literary side? And if narrative expresses the truth and the resistance to the truth of the author himself, what does the photo resist to, while showing?
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spelling doaj.art-290dc02905ba40d194e27979ff4fadb62023-06-02T00:02:19ZengUNICApressBetween2039-65972014-05-014710.13125/2039-6597/1170784The Autobiographical Photo-textual Devices. Rhetorics and TruthRoberta Coglitore0Università di PalermoThe case of autobiographical photo-texts is to be analyzed, first of all, as an autobiographical writing that feels the need to express by other means; secondly, as a specific rhetoric practice that chooses the image, next to the word, as a further persuasive force; finally, as a very special case of icono-texts, which uses some variety of the connection between the verbal and the visual. It is not only a matter of analyzing how it works the cooperation between photographs and autobiographical writing, that is, through which connectors – frames, white space, overlays and captions –, but also of understanding what are the functions of the photographs in relation to literature. This is in order to understand what truth is affirmed in the examples chosen: Franca Valeri, Grégoire Bouillier, Roland Barthes, Winfried G. Sebald, Lalla Romano, Jovanotti, Edward Said, Azar Nafisi, Vladimir Nabokov, André Breton, Hannah Höch, Annie Ernaux. Do photographs expose, confirm, add or resist the truth expressed by the literary side? And if narrative expresses the truth and the resistance to the truth of the author himself, what does the photo resist to, while showing?http://ojs.unica.it/index.php/between/article/view/1170AutobiografiaFotografiaRetoricaDispositioStrategia.
spellingShingle Roberta Coglitore
The Autobiographical Photo-textual Devices. Rhetorics and Truth
Between
Autobiografia
Fotografia
Retorica
Dispositio
Strategia.
title The Autobiographical Photo-textual Devices. Rhetorics and Truth
title_full The Autobiographical Photo-textual Devices. Rhetorics and Truth
title_fullStr The Autobiographical Photo-textual Devices. Rhetorics and Truth
title_full_unstemmed The Autobiographical Photo-textual Devices. Rhetorics and Truth
title_short The Autobiographical Photo-textual Devices. Rhetorics and Truth
title_sort autobiographical photo textual devices rhetorics and truth
topic Autobiografia
Fotografia
Retorica
Dispositio
Strategia.
url http://ojs.unica.it/index.php/between/article/view/1170
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