Erased
In Erased (2021) Paulo Simão evokes Erased De Kooning Drawing by Robert Rauschenberg and, by manipulating a set of images from the US Library of Congress, reframes the archive and develops a series that invites us to a myriad of questions and reflections. With his intervention Paulo Simão creates a...
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| Format: | Article |
| Language: | English |
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Universidade Católica Portuguesa
2022-07-01
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| Series: | Journal of Science and Technology of the Arts |
| Subjects: | |
| Online Access: | https://revistas.ucp.pt/index.php/jsta/article/view/11649 |
| _version_ | 1811344044546064384 |
|---|---|
| author | Paulo Simão |
| author_facet | Paulo Simão |
| author_sort | Paulo Simão |
| collection | DOAJ |
| description |
In Erased (2021) Paulo Simão evokes Erased De Kooning Drawing by Robert Rauschenberg and, by manipulating a set of images from the US Library of Congress, reframes the archive and develops a series that invites us to a myriad of questions and reflections. With his intervention Paulo Simão creates a kind of anti-evocative monument and, by isolating the plinth, he opens a new perspective and approach to the artistic work, moreover, emphasizes the importance and role that the artist, the artistic work and, in this particular project, the evocative public art piece assumes by validating certain values, knowledge, historical events or collective memories.
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| first_indexed | 2024-04-13T19:40:46Z |
| format | Article |
| id | doaj.art-29122423465840929b98be8f08aabbac |
| institution | Directory Open Access Journal |
| issn | 1646-9798 2183-0088 |
| language | English |
| last_indexed | 2024-04-13T19:40:46Z |
| publishDate | 2022-07-01 |
| publisher | Universidade Católica Portuguesa |
| record_format | Article |
| series | Journal of Science and Technology of the Arts |
| spelling | doaj.art-29122423465840929b98be8f08aabbac2022-12-22T02:32:54ZengUniversidade Católica PortuguesaJournal of Science and Technology of the Arts1646-97982183-00882022-07-0114210.34632/jsta.2022.11649ErasedPaulo Simão In Erased (2021) Paulo Simão evokes Erased De Kooning Drawing by Robert Rauschenberg and, by manipulating a set of images from the US Library of Congress, reframes the archive and develops a series that invites us to a myriad of questions and reflections. With his intervention Paulo Simão creates a kind of anti-evocative monument and, by isolating the plinth, he opens a new perspective and approach to the artistic work, moreover, emphasizes the importance and role that the artist, the artistic work and, in this particular project, the evocative public art piece assumes by validating certain values, knowledge, historical events or collective memories. https://revistas.ucp.pt/index.php/jsta/article/view/11649PhotographyHistoryMemoryPowerPoliticsMonuments |
| spellingShingle | Paulo Simão Erased Journal of Science and Technology of the Arts Photography History Memory Power Politics Monuments |
| title | Erased |
| title_full | Erased |
| title_fullStr | Erased |
| title_full_unstemmed | Erased |
| title_short | Erased |
| title_sort | erased |
| topic | Photography History Memory Power Politics Monuments |
| url | https://revistas.ucp.pt/index.php/jsta/article/view/11649 |
| work_keys_str_mv | AT paulosimao erased |