Schuldramen und Oratorien bei den Preßburger Jesuiten im 18. Jahrhundert

The oratorio was certainly not one of the favorite musical genres of the Jesuits in the 17th-18 century. The Pressburg Jesuits, however, have also performed oratorios in the 18th century, except their typical school dramas. The "golden age" of the oratorio in Pressburg were the 20s and 30s...

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Main Author: Ladislav Kačic
Format: Article
Language:ces
Published: Masaryk University, Faculty of Arts 2014-06-01
Series:Musicologica Brunensia
Subjects:
Online Access:https://journals.phil.muni.cz/musicologica-brunensia/article/view/23793
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author Ladislav Kačic
author_facet Ladislav Kačic
author_sort Ladislav Kačic
collection DOAJ
description The oratorio was certainly not one of the favorite musical genres of the Jesuits in the 17th-18 century. The Pressburg Jesuits, however, have also performed oratorios in the 18th century, except their typical school dramas. The "golden age" of the oratorio in Pressburg were the 20s and 30s of the 18th century, i. e. the period of office of the Prince Primate Emericus Esterházy. At that time, there were performed 1–2 oratorios per year dedicated to the Primate by the libretits F. Syhn and by composer J. M. Schenauer in the Bratislava Jesuit Church. We know of them unfortunately only the text books. The Pressburg Jesuits have also worked with the court composer G. Ch. Wagenseil: from the oratorio Mater dolorum (1773) has only been handed a libretto, a yet unknown Oratorio per la Novenna di S. Xaverio (1750), however, is completely preserved.
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spelling doaj.art-2916404abab242cda90ff9c8bdf185c72023-09-06T09:10:41ZcesMasaryk University, Faculty of ArtsMusicologica Brunensia1212-03912336-436X2014-06-0149110.5817/MB2014-1-17Schuldramen und Oratorien bei den Preßburger Jesuiten im 18. JahrhundertLadislav KačicThe oratorio was certainly not one of the favorite musical genres of the Jesuits in the 17th-18 century. The Pressburg Jesuits, however, have also performed oratorios in the 18th century, except their typical school dramas. The "golden age" of the oratorio in Pressburg were the 20s and 30s of the 18th century, i. e. the period of office of the Prince Primate Emericus Esterházy. At that time, there were performed 1–2 oratorios per year dedicated to the Primate by the libretits F. Syhn and by composer J. M. Schenauer in the Bratislava Jesuit Church. We know of them unfortunately only the text books. The Pressburg Jesuits have also worked with the court composer G. Ch. Wagenseil: from the oratorio Mater dolorum (1773) has only been handed a libretto, a yet unknown Oratorio per la Novenna di S. Xaverio (1750), however, is completely preserved.https://journals.phil.muni.cz/musicologica-brunensia/article/view/23793Bratislava (Pressburg)Jesuitsthe 18th centuryschool dramaoratorioWagenseil
spellingShingle Ladislav Kačic
Schuldramen und Oratorien bei den Preßburger Jesuiten im 18. Jahrhundert
Musicologica Brunensia
Bratislava (Pressburg)
Jesuits
the 18th century
school drama
oratorio
Wagenseil
title Schuldramen und Oratorien bei den Preßburger Jesuiten im 18. Jahrhundert
title_full Schuldramen und Oratorien bei den Preßburger Jesuiten im 18. Jahrhundert
title_fullStr Schuldramen und Oratorien bei den Preßburger Jesuiten im 18. Jahrhundert
title_full_unstemmed Schuldramen und Oratorien bei den Preßburger Jesuiten im 18. Jahrhundert
title_short Schuldramen und Oratorien bei den Preßburger Jesuiten im 18. Jahrhundert
title_sort schuldramen und oratorien bei den pressburger jesuiten im 18 jahrhundert
topic Bratislava (Pressburg)
Jesuits
the 18th century
school drama
oratorio
Wagenseil
url https://journals.phil.muni.cz/musicologica-brunensia/article/view/23793
work_keys_str_mv AT ladislavkacic schuldramenundoratorienbeidenpreßburgerjesuitenim18jahrhundert