L’Ange de l’Histoire

The “Angel of History” is stuck at the heart of the theses On the concept of history, today considered the philosophical legacy of Walter Benjamin. This poetical figure draws an apocalyptic picture of the European 1930’s. Beyond this political context this allegory bears witness to, it also involves...

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Main Author: Marc Berdet
Format: Article
Language:fra
Published: Éditions de la Sorbonne 2013-12-01
Series:Socio-anthropologie
Subjects:
Online Access:http://journals.openedition.org/socio-anthropologie/1540
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author Marc Berdet
author_facet Marc Berdet
author_sort Marc Berdet
collection DOAJ
description The “Angel of History” is stuck at the heart of the theses On the concept of history, today considered the philosophical legacy of Walter Benjamin. This poetical figure draws an apocalyptic picture of the European 1930’s. Beyond this political context this allegory bears witness to, it also involves methodological questions. The Angel affects first the historian, but it also strikes any social scientist listening to the defeated of history, the refuse of the big city or the scraps from the scientist storytelling. Benjamin suggests with this image that apocalypse could be a methodological principle, and that it is necessary to accelerate the process of ruining in order to paint a truth portrayal of an era. Benjamin himself depicts such apocalyptic landscapes in his work. Therefore, he develops the art, or the science, of making the ruins talk.
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spelling doaj.art-29257a6ebe6f4fd7b38ae1121963d9b42022-12-22T03:33:23ZfraÉditions de la SorbonneSocio-anthropologie1276-87071773-018X2013-12-0128476310.4000/socio-anthropologie.1540L’Ange de l’HistoireMarc BerdetThe “Angel of History” is stuck at the heart of the theses On the concept of history, today considered the philosophical legacy of Walter Benjamin. This poetical figure draws an apocalyptic picture of the European 1930’s. Beyond this political context this allegory bears witness to, it also involves methodological questions. The Angel affects first the historian, but it also strikes any social scientist listening to the defeated of history, the refuse of the big city or the scraps from the scientist storytelling. Benjamin suggests with this image that apocalypse could be a methodological principle, and that it is necessary to accelerate the process of ruining in order to paint a truth portrayal of an era. Benjamin himself depicts such apocalyptic landscapes in his work. Therefore, he develops the art, or the science, of making the ruins talk.http://journals.openedition.org/socio-anthropologie/1540Angel of HistoryWalter BenjaminPaul Kleeallegorydestructive character
spellingShingle Marc Berdet
L’Ange de l’Histoire
Socio-anthropologie
Angel of History
Walter Benjamin
Paul Klee
allegory
destructive character
title L’Ange de l’Histoire
title_full L’Ange de l’Histoire
title_fullStr L’Ange de l’Histoire
title_full_unstemmed L’Ange de l’Histoire
title_short L’Ange de l’Histoire
title_sort l ange de l histoire
topic Angel of History
Walter Benjamin
Paul Klee
allegory
destructive character
url http://journals.openedition.org/socio-anthropologie/1540
work_keys_str_mv AT marcberdet langedelhistoire