L’écriture réflexive dans LA KAHENA de Salim Bachi

The review of the reflexive strategies of mise-en-abîme in LA KAHENA by Salim Bachi, the eponymous novel of a Berber-Maghrebian warrior queen, reveals different techniques of textual construction and functioning. These several dispositions and scriptural strategies often end up as a suggestive metap...

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Main Authors: Leila Oulebsir, Sabrina Fatmi
Format: Article
Language:fra
Published: Université Abderrahmane Mira 2018-06-01
Series:Multilinguales
Subjects:
Online Access:http://journals.openedition.org/multilinguales/1049
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author Leila Oulebsir
Sabrina Fatmi
author_facet Leila Oulebsir
Sabrina Fatmi
author_sort Leila Oulebsir
collection DOAJ
description The review of the reflexive strategies of mise-en-abîme in LA KAHENA by Salim Bachi, the eponymous novel of a Berber-Maghrebian warrior queen, reveals different techniques of textual construction and functioning. These several dispositions and scriptural strategies often end up as a suggestive metaphor and allegorization for writing, visibly self-reflexive. Nevertheless, in solidarity with a parodic and playful intonation, the presence of the mythical dimension, at the metatextual level, is ordered as an awareness of the text and a catharsis that allows the language to accommodate "on the signifier of the myth as on an inextricable whole of sense and form "(Barthes, 1957 : 201). Thus, Bachi’s novel which seems to differ from the aporias of structuralism, without departing totally from it, clearly displays a singular and complex way of reflecting on the language and spirit of a possible world, in a sensitive relationship with human experience.
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spelling doaj.art-2938fc71939549e88ec6092814e673592023-09-02T17:09:08ZfraUniversité Abderrahmane MiraMultilinguales2335-15352335-18532018-06-01910.4000/multilinguales.1049L’écriture réflexive dans LA KAHENA de Salim BachiLeila OulebsirSabrina FatmiThe review of the reflexive strategies of mise-en-abîme in LA KAHENA by Salim Bachi, the eponymous novel of a Berber-Maghrebian warrior queen, reveals different techniques of textual construction and functioning. These several dispositions and scriptural strategies often end up as a suggestive metaphor and allegorization for writing, visibly self-reflexive. Nevertheless, in solidarity with a parodic and playful intonation, the presence of the mythical dimension, at the metatextual level, is ordered as an awareness of the text and a catharsis that allows the language to accommodate "on the signifier of the myth as on an inextricable whole of sense and form "(Barthes, 1957 : 201). Thus, Bachi’s novel which seems to differ from the aporias of structuralism, without departing totally from it, clearly displays a singular and complex way of reflecting on the language and spirit of a possible world, in a sensitive relationship with human experience.http://journals.openedition.org/multilinguales/1049reflexivitymise-en-abîmemythcodemetatextuality
spellingShingle Leila Oulebsir
Sabrina Fatmi
L’écriture réflexive dans LA KAHENA de Salim Bachi
Multilinguales
reflexivity
mise-en-abîme
myth
code
metatextuality
title L’écriture réflexive dans LA KAHENA de Salim Bachi
title_full L’écriture réflexive dans LA KAHENA de Salim Bachi
title_fullStr L’écriture réflexive dans LA KAHENA de Salim Bachi
title_full_unstemmed L’écriture réflexive dans LA KAHENA de Salim Bachi
title_short L’écriture réflexive dans LA KAHENA de Salim Bachi
title_sort l ecriture reflexive dans la kahena de salim bachi
topic reflexivity
mise-en-abîme
myth
code
metatextuality
url http://journals.openedition.org/multilinguales/1049
work_keys_str_mv AT leilaoulebsir lecriturereflexivedanslakahenadesalimbachi
AT sabrinafatmi lecriturereflexivedanslakahenadesalimbachi