Not what we expected: the Jewish Museum Berlin in practice

An extensive existing literature studies Daniel Libeskind’s deconstructivist design for the Jewish Museum Berlin (JMB). This article focuses instead on the museum’s exhibits from 2001 to today, their evolution in response to visitor criticisms, and their discursive setting, all of which exhibit muse...

Full description

Bibliographic Details
Main Author: Peter Chametzky
Format: Article
Language:English
Published: University of Leicester 2008-11-01
Series:Museum & Society
Online Access:https://journals.le.ac.uk/ojs1/index.php/mas/article/view/125
_version_ 1818923183795863552
author Peter Chametzky
author_facet Peter Chametzky
author_sort Peter Chametzky
collection DOAJ
description An extensive existing literature studies Daniel Libeskind’s deconstructivist design for the Jewish Museum Berlin (JMB). This article focuses instead on the museum’s exhibits from 2001 to today, their evolution in response to visitor criticisms, and their discursive setting, all of which exhibit museum and marketing professionals’ attempts to deal with, and to an extent to overcome, the theory driven and Holocaust-laden architectural programme. The JMB, in practice, while including the Holocaust as one component of visitors’ experiences, instead emphasizes Jews and things Jewish as a positive component of a ‘postnational’ version of the German national narrative.
first_indexed 2024-12-20T02:05:23Z
format Article
id doaj.art-297b2d974a3047d2b70c2c73e10a3f22
institution Directory Open Access Journal
issn 1479-8360
language English
last_indexed 2024-12-20T02:05:23Z
publishDate 2008-11-01
publisher University of Leicester
record_format Article
series Museum & Society
spelling doaj.art-297b2d974a3047d2b70c2c73e10a3f222022-12-21T19:57:13ZengUniversity of LeicesterMuseum & Society1479-83602008-11-0163216245114Not what we expected: the Jewish Museum Berlin in practicePeter ChametzkyAn extensive existing literature studies Daniel Libeskind’s deconstructivist design for the Jewish Museum Berlin (JMB). This article focuses instead on the museum’s exhibits from 2001 to today, their evolution in response to visitor criticisms, and their discursive setting, all of which exhibit museum and marketing professionals’ attempts to deal with, and to an extent to overcome, the theory driven and Holocaust-laden architectural programme. The JMB, in practice, while including the Holocaust as one component of visitors’ experiences, instead emphasizes Jews and things Jewish as a positive component of a ‘postnational’ version of the German national narrative.https://journals.le.ac.uk/ojs1/index.php/mas/article/view/125
spellingShingle Peter Chametzky
Not what we expected: the Jewish Museum Berlin in practice
Museum & Society
title Not what we expected: the Jewish Museum Berlin in practice
title_full Not what we expected: the Jewish Museum Berlin in practice
title_fullStr Not what we expected: the Jewish Museum Berlin in practice
title_full_unstemmed Not what we expected: the Jewish Museum Berlin in practice
title_short Not what we expected: the Jewish Museum Berlin in practice
title_sort not what we expected the jewish museum berlin in practice
url https://journals.le.ac.uk/ojs1/index.php/mas/article/view/125
work_keys_str_mv AT peterchametzky notwhatweexpectedthejewishmuseumberlininpractice