Mundo Radial e o cancioneiro folclórico nos tempos de Perón

The institutionalization of folk repertoire as the most genuine expression of popular Argentine song has resulted from articulation and negotiation between, basically, three sectors of that society, or, the government, the folklorist movement and artists connected to folklore - including, in the lat...

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Main Author: Tânia da Costa Garcia
Format: Article
Language:English
Published: Centre de Recherches sur les Mondes Américains 2015-06-01
Series:Nuevo mundo - Mundos Nuevos
Subjects:
Online Access:https://journals.openedition.org/nuevomundo/68075
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author Tânia da Costa Garcia
author_facet Tânia da Costa Garcia
author_sort Tânia da Costa Garcia
collection DOAJ
description The institutionalization of folk repertoire as the most genuine expression of popular Argentine song has resulted from articulation and negotiation between, basically, three sectors of that society, or, the government, the folklorist movement and artists connected to folklore - including, in the latter case, the interference of the market. These groups from their social place will negotiate the production, circulation and consumption of this repertoire in order to gain a wide and diverse audience. In this article, our intention is to map and analyze, electing as its object and main source, Mundo Radial magazine, how these three segments will operate together on traditionalization of the folk repertoire or, in other words, his acclaim as one of the representations of the Argentine national identity. The place occupied by the means of mass communication not only in Peronist politics, but also in formatting and in the spread of repertoire receives special attention in this article.
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spelling doaj.art-298e09450a4c4c17b1c033f909770a642024-02-14T16:46:02ZengCentre de Recherches sur les Mondes AméricainsNuevo mundo - Mundos Nuevos1626-02522015-06-0110.4000/nuevomundo.68075Mundo Radial e o cancioneiro folclórico nos tempos de PerónTânia da Costa GarciaThe institutionalization of folk repertoire as the most genuine expression of popular Argentine song has resulted from articulation and negotiation between, basically, three sectors of that society, or, the government, the folklorist movement and artists connected to folklore - including, in the latter case, the interference of the market. These groups from their social place will negotiate the production, circulation and consumption of this repertoire in order to gain a wide and diverse audience. In this article, our intention is to map and analyze, electing as its object and main source, Mundo Radial magazine, how these three segments will operate together on traditionalization of the folk repertoire or, in other words, his acclaim as one of the representations of the Argentine national identity. The place occupied by the means of mass communication not only in Peronist politics, but also in formatting and in the spread of repertoire receives special attention in this article.https://journals.openedition.org/nuevomundo/68075PeronismArgentinafolkmediapolitical communication
spellingShingle Tânia da Costa Garcia
Mundo Radial e o cancioneiro folclórico nos tempos de Perón
Nuevo mundo - Mundos Nuevos
Peronism
Argentina
folk
media
political communication
title Mundo Radial e o cancioneiro folclórico nos tempos de Perón
title_full Mundo Radial e o cancioneiro folclórico nos tempos de Perón
title_fullStr Mundo Radial e o cancioneiro folclórico nos tempos de Perón
title_full_unstemmed Mundo Radial e o cancioneiro folclórico nos tempos de Perón
title_short Mundo Radial e o cancioneiro folclórico nos tempos de Perón
title_sort mundo radial e o cancioneiro folclorico nos tempos de peron
topic Peronism
Argentina
folk
media
political communication
url https://journals.openedition.org/nuevomundo/68075
work_keys_str_mv AT taniadacostagarcia mundoradialeocancioneirofolcloriconostemposdeperon