Three centuries of Santiago de Cuba’s short story (1830-1918): main aesthetics, texts and authors

This research article contributes to the study of Santiago de Cuba’s short story from the colonial period until today. This is a zone pretermitted within the Cuban literary studies, generally focused, by the literary historiography, from a havanocentrist perspective. The content analysis and the his...

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Main Authors: Ronald Antonio Ramírez Castellanos, Iván Gabriel Grajales Melián
Format: Article
Language:Spanish
Published: Universidad del Valle 2020-06-01
Series:Poligramas
Subjects:
Online Access:https://poligramas.univalle.edu.co/index.php/poligramas/article/view/10652/13247
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author Ronald Antonio Ramírez Castellanos
Iván Gabriel Grajales Melián
author_facet Ronald Antonio Ramírez Castellanos
Iván Gabriel Grajales Melián
author_sort Ronald Antonio Ramírez Castellanos
collection DOAJ
description This research article contributes to the study of Santiago de Cuba’s short story from the colonial period until today. This is a zone pretermitted within the Cuban literary studies, generally focused, by the literary historiography, from a havanocentrist perspective. The content analysis and the historiographic approach allows to elucidate authors, texts and main aesthetics that distinguish the process of origin, development and consolidation of this literary genre in three periods: the colonial, neo-colonial/republican and revolutionary. The basics that characterize this writing practice in the region can establish counterpoints with the ideo-aesthetics experiences of the genre in Cuba and Latin America.
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spelling doaj.art-299a9608d4ca49c6a9fcefbecd7101092022-12-21T20:48:21ZspaUniversidad del VallePoligramas0120-41302590-92072020-06-01507910310.25100/poligramas.v0i50.10652Three centuries of Santiago de Cuba’s short story (1830-1918): main aesthetics, texts and authorsRonald Antonio Ramírez Castellanos0https://orcid.org/0000-0001-9015-0368Iván Gabriel Grajales Melián1https://orcid.org/0000-0002-4163-112XUniversidad de La HabanaUniversidad de OrienteThis research article contributes to the study of Santiago de Cuba’s short story from the colonial period until today. This is a zone pretermitted within the Cuban literary studies, generally focused, by the literary historiography, from a havanocentrist perspective. The content analysis and the historiographic approach allows to elucidate authors, texts and main aesthetics that distinguish the process of origin, development and consolidation of this literary genre in three periods: the colonial, neo-colonial/republican and revolutionary. The basics that characterize this writing practice in the region can establish counterpoints with the ideo-aesthetics experiences of the genre in Cuba and Latin America.https://poligramas.univalle.edu.co/index.php/poligramas/article/view/10652/13247authorscubacuba’s short storygenrehavanocentrist
spellingShingle Ronald Antonio Ramírez Castellanos
Iván Gabriel Grajales Melián
Three centuries of Santiago de Cuba’s short story (1830-1918): main aesthetics, texts and authors
Poligramas
authors
cuba
cuba’s short story
genre
havanocentrist
title Three centuries of Santiago de Cuba’s short story (1830-1918): main aesthetics, texts and authors
title_full Three centuries of Santiago de Cuba’s short story (1830-1918): main aesthetics, texts and authors
title_fullStr Three centuries of Santiago de Cuba’s short story (1830-1918): main aesthetics, texts and authors
title_full_unstemmed Three centuries of Santiago de Cuba’s short story (1830-1918): main aesthetics, texts and authors
title_short Three centuries of Santiago de Cuba’s short story (1830-1918): main aesthetics, texts and authors
title_sort three centuries of santiago de cuba s short story 1830 1918 main aesthetics texts and authors
topic authors
cuba
cuba’s short story
genre
havanocentrist
url https://poligramas.univalle.edu.co/index.php/poligramas/article/view/10652/13247
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