The return to water in ancestral Xenopus was accompanied by a novel mechanism for producing and shaping vocal signals

Listeners locate potential mates using species-specific vocal signals. As tetrapods transitioned from water to land, lungs replaced gills, allowing expiration to drive sound production. Some frogs then returned to water. Here we explore how air-driven sound production changed upon re-entry to preser...

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Main Authors: Ursula Kwong-Brown, Martha L Tobias, Damian O Elias, Ian C Hall, Coen PH Elemans, Darcy B Kelley
Format: Article
Language:English
Published: eLife Sciences Publications Ltd 2019-01-01
Series:eLife
Subjects:
Online Access:https://elifesciences.org/articles/39946
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author Ursula Kwong-Brown
Martha L Tobias
Damian O Elias
Ian C Hall
Coen PH Elemans
Darcy B Kelley
author_facet Ursula Kwong-Brown
Martha L Tobias
Damian O Elias
Ian C Hall
Coen PH Elemans
Darcy B Kelley
author_sort Ursula Kwong-Brown
collection DOAJ
description Listeners locate potential mates using species-specific vocal signals. As tetrapods transitioned from water to land, lungs replaced gills, allowing expiration to drive sound production. Some frogs then returned to water. Here we explore how air-driven sound production changed upon re-entry to preserve essential acoustic information on species identity in the secondarily aquatic frog genus Xenopus. We filmed movements of cartilage and muscles during evoked sound production in isolated larynges. Results refute the current theory for Xenopus vocalization, cavitation, and favor instead sound production by mechanical excitation of laryngeal resonance modes following rapid separation of laryngeal arytenoid discs. Resulting frequency resonance modes (dyads) are intrinsic to the larynx rather than due to neuromuscular control. Dyads are a distinctive acoustic signature. While their component frequencies overlap across species, their ratio is shared within each Xenopus clade providing information on species identity that could facilitate both conspecific localization and ancient species divergence.Editorial note: This article has been through an editorial process in which the authors decide how to respond to the issues raised during peer review. The Reviewing Editor's assessment is that all the issues have been addressed (see decision letter).
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spelling doaj.art-299ec96ae59144298c02923e988b23332022-12-22T04:32:25ZengeLife Sciences Publications LtdeLife2050-084X2019-01-01810.7554/eLife.39946The return to water in ancestral Xenopus was accompanied by a novel mechanism for producing and shaping vocal signalsUrsula Kwong-Brown0https://orcid.org/0000-0002-8099-2649Martha L Tobias1Damian O Elias2Ian C Hall3Coen PH Elemans4https://orcid.org/0000-0001-6306-5715Darcy B Kelley5https://orcid.org/0000-0003-4736-4939Department of Biological Sciences, Columbia University, New York, United StatesDepartment of Biological Sciences, Columbia University, New York, United StatesDepartment of Environmental Science, Policy and Management, University of California, Berkeley, Berkeley, United StatesDepartment of Biological Sciences, Columbia University, New York, United StatesDepartment of Biology, University of Southern Denmark, Campusvej, DenmarkDepartment of Biological Sciences, Columbia University, New York, United StatesListeners locate potential mates using species-specific vocal signals. As tetrapods transitioned from water to land, lungs replaced gills, allowing expiration to drive sound production. Some frogs then returned to water. Here we explore how air-driven sound production changed upon re-entry to preserve essential acoustic information on species identity in the secondarily aquatic frog genus Xenopus. We filmed movements of cartilage and muscles during evoked sound production in isolated larynges. Results refute the current theory for Xenopus vocalization, cavitation, and favor instead sound production by mechanical excitation of laryngeal resonance modes following rapid separation of laryngeal arytenoid discs. Resulting frequency resonance modes (dyads) are intrinsic to the larynx rather than due to neuromuscular control. Dyads are a distinctive acoustic signature. While their component frequencies overlap across species, their ratio is shared within each Xenopus clade providing information on species identity that could facilitate both conspecific localization and ancient species divergence.Editorial note: This article has been through an editorial process in which the authors decide how to respond to the issues raised during peer review. The Reviewing Editor's assessment is that all the issues have been addressed (see decision letter).https://elifesciences.org/articles/39946anuranpipidfrogvocalsoundcommunication
spellingShingle Ursula Kwong-Brown
Martha L Tobias
Damian O Elias
Ian C Hall
Coen PH Elemans
Darcy B Kelley
The return to water in ancestral Xenopus was accompanied by a novel mechanism for producing and shaping vocal signals
eLife
anuran
pipid
frog
vocal
sound
communication
title The return to water in ancestral Xenopus was accompanied by a novel mechanism for producing and shaping vocal signals
title_full The return to water in ancestral Xenopus was accompanied by a novel mechanism for producing and shaping vocal signals
title_fullStr The return to water in ancestral Xenopus was accompanied by a novel mechanism for producing and shaping vocal signals
title_full_unstemmed The return to water in ancestral Xenopus was accompanied by a novel mechanism for producing and shaping vocal signals
title_short The return to water in ancestral Xenopus was accompanied by a novel mechanism for producing and shaping vocal signals
title_sort return to water in ancestral xenopus was accompanied by a novel mechanism for producing and shaping vocal signals
topic anuran
pipid
frog
vocal
sound
communication
url https://elifesciences.org/articles/39946
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