El favor agradecido,¿un manuscrito autógrafo?

The manuscript preserved in the National Library of Spain under the signature Res/134 contains, among other works, the first act considered autograph of Lope de Vega’s El favor agradecido. In this work a paleographic study of his writing is carried out to answer two questions that arise from this fi...

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Main Author: Paloma Cuenca Muñoz
Format: Article
Language:Spanish
Published: Presses universitaires du Mirail 2021-10-01
Series:Criticón
Subjects:
Online Access:http://journals.openedition.org/criticon/19974
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author Paloma Cuenca Muñoz
author_facet Paloma Cuenca Muñoz
author_sort Paloma Cuenca Muñoz
collection DOAJ
description The manuscript preserved in the National Library of Spain under the signature Res/134 contains, among other works, the first act considered autograph of Lope de Vega’s El favor agradecido. In this work a paleographic study of his writing is carried out to answer two questions that arise from this field, one as to whether the different graphic changes observed in the text may be related to the existence of several hands in the manuscript and establish whether such an act should continue to be considered an autograph by the author, as there are several graphic differences observed regarding Lope’s canonical writing. The application of a rigorous analysis has also made it possible to correct a mistake that has been repeated in the dating of this testimony, from the date it appears on the cover.
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spelling doaj.art-29a418679b7a4f4ab912b74122f5bc3f2022-12-22T03:02:54ZspaPresses universitaires du MirailCriticón0247-381X2272-98522021-10-01142476310.4000/criticon.19974El favor agradecido,¿un manuscrito autógrafo?Paloma Cuenca MuñozThe manuscript preserved in the National Library of Spain under the signature Res/134 contains, among other works, the first act considered autograph of Lope de Vega’s El favor agradecido. In this work a paleographic study of his writing is carried out to answer two questions that arise from this field, one as to whether the different graphic changes observed in the text may be related to the existence of several hands in the manuscript and establish whether such an act should continue to be considered an autograph by the author, as there are several graphic differences observed regarding Lope’s canonical writing. The application of a rigorous analysis has also made it possible to correct a mistake that has been repeated in the dating of this testimony, from the date it appears on the cover.http://journals.openedition.org/criticon/19974palaeographyVega Lope deplayautographmanuscript
spellingShingle Paloma Cuenca Muñoz
El favor agradecido,¿un manuscrito autógrafo?
Criticón
palaeography
Vega Lope de
play
autograph
manuscript
title El favor agradecido,¿un manuscrito autógrafo?
title_full El favor agradecido,¿un manuscrito autógrafo?
title_fullStr El favor agradecido,¿un manuscrito autógrafo?
title_full_unstemmed El favor agradecido,¿un manuscrito autógrafo?
title_short El favor agradecido,¿un manuscrito autógrafo?
title_sort el favor agradecido un manuscrito autografo
topic palaeography
Vega Lope de
play
autograph
manuscript
url http://journals.openedition.org/criticon/19974
work_keys_str_mv AT palomacuencamunoz elfavoragradecidounmanuscritoautografo