Music, Memory and Repression in Hitchcock’s Vertigo (1958)
The musical dimension has always been presented by critics as an essential part of Hitchcock’s narrative technique, with a view to showing how music works at emphasizing the suspense situations in his thrillers. This article tries to expand upon the complex, shifting role of music in the Hitchcock c...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Université Toulouse - Jean Jaurès
2021-03-01
|
| Series: | Miranda: Revue Pluridisciplinaire du Monde Anglophone |
| Subjects: | |
| Online Access: | http://journals.openedition.org/miranda/36484 |