Cadavres féminins et fictions policières contemporaines

Whether it be on autopsy tables or on crime scenes, the corpse—this ambivalent absence/presence figure which crime narratives need to be structured, is predominantly feminine. This feminine figure incarnating the eternal tortured victim is submitted to a particular treatment, differing from that of...

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Main Author: Maud Desmet
Format: Article
Language:fra
Published: Éditions de la Sorbonne 2015-09-01
Series:Socio-anthropologie
Subjects:
Online Access:http://journals.openedition.org/socio-anthropologie/2163
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author Maud Desmet
author_facet Maud Desmet
author_sort Maud Desmet
collection DOAJ
description Whether it be on autopsy tables or on crime scenes, the corpse—this ambivalent absence/presence figure which crime narratives need to be structured, is predominantly feminine. This feminine figure incarnating the eternal tortured victim is submitted to a particular treatment, differing from that of the masculine corpse. The feminine corpse, because it reunites two territories both enigmatic and potentially threatening to men—femininity and death—is a troubling object. In crime fictions, the staging of a feminine corpse can take the most poetic shape, through the resurgence of the myth of Ophelia, reassuring the audience in their “romantic” vision of female death. But when its staging abandons its poetic attires, only leaving a tortured corpse, its necessarily threatening—on a symbolical level—abjection must then be defeated or contained by the living male characters gravitating around it.
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spelling doaj.art-2abcf7e33b2f4c3da607ef7c51cd01bc2022-12-21T22:07:55ZfraÉditions de la SorbonneSocio-anthropologie1276-87071773-018X2015-09-0131879810.4000/socio-anthropologie.2163Cadavres féminins et fictions policières contemporainesMaud DesmetWhether it be on autopsy tables or on crime scenes, the corpse—this ambivalent absence/presence figure which crime narratives need to be structured, is predominantly feminine. This feminine figure incarnating the eternal tortured victim is submitted to a particular treatment, differing from that of the masculine corpse. The feminine corpse, because it reunites two territories both enigmatic and potentially threatening to men—femininity and death—is a troubling object. In crime fictions, the staging of a feminine corpse can take the most poetic shape, through the resurgence of the myth of Ophelia, reassuring the audience in their “romantic” vision of female death. But when its staging abandons its poetic attires, only leaving a tortured corpse, its necessarily threatening—on a symbolical level—abjection must then be defeated or contained by the living male characters gravitating around it.http://journals.openedition.org/socio-anthropologie/2163Female CorpseOpheliaPurificationFetishizationProtectionCrime Scene
spellingShingle Maud Desmet
Cadavres féminins et fictions policières contemporaines
Socio-anthropologie
Female Corpse
Ophelia
Purification
Fetishization
Protection
Crime Scene
title Cadavres féminins et fictions policières contemporaines
title_full Cadavres féminins et fictions policières contemporaines
title_fullStr Cadavres féminins et fictions policières contemporaines
title_full_unstemmed Cadavres féminins et fictions policières contemporaines
title_short Cadavres féminins et fictions policières contemporaines
title_sort cadavres feminins et fictions policieres contemporaines
topic Female Corpse
Ophelia
Purification
Fetishization
Protection
Crime Scene
url http://journals.openedition.org/socio-anthropologie/2163
work_keys_str_mv AT mauddesmet cadavresfemininsetfictionspolicierescontemporaines