La photogénie de l’artiste en action : six exemples de l’acte créateur photographié au xxe siècle
Photography and the creative act are incompatible by nature: one freezes the moment in an infinitesimal fragment of time, the other is a process that extends into time and space. What therefore can we expect from their association, especially in the twentieth century, which saw the birth of the most...
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Format: | Article |
Language: | fra |
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École du Louvre
2013-03-01
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Series: | Les Cahiers de l'École du Louvre |
Online Access: | http://journals.openedition.org/cel/531 |
_version_ | 1818137608468824064 |
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author | Pierre-Emmanuel Perrier de La Bâthie |
author_facet | Pierre-Emmanuel Perrier de La Bâthie |
author_sort | Pierre-Emmanuel Perrier de La Bâthie |
collection | DOAJ |
description | Photography and the creative act are incompatible by nature: one freezes the moment in an infinitesimal fragment of time, the other is a process that extends into time and space. What therefore can we expect from their association, especially in the twentieth century, which saw the birth of the most subjective and immaterial forms of art? Certain photographs, however, through the quality of the impression they show us, as well as by the material context in which they appear to us, have managed to overcome this divide. The solution seems to be in the concept of “photogenicness”, an essentially elusive quality that certain artists and photographers, using different strategies, succeed in appropriating. |
first_indexed | 2024-12-11T09:59:00Z |
format | Article |
id | doaj.art-2acc802a430d4924bf67053fccf841b4 |
institution | Directory Open Access Journal |
issn | 2262-208X |
language | fra |
last_indexed | 2024-12-11T09:59:00Z |
publishDate | 2013-03-01 |
publisher | École du Louvre |
record_format | Article |
series | Les Cahiers de l'École du Louvre |
spelling | doaj.art-2acc802a430d4924bf67053fccf841b42022-12-22T01:12:11ZfraÉcole du LouvreLes Cahiers de l'École du Louvre2262-208X2013-03-01210.4000/cel.531La photogénie de l’artiste en action : six exemples de l’acte créateur photographié au xxe sièclePierre-Emmanuel Perrier de La BâthiePhotography and the creative act are incompatible by nature: one freezes the moment in an infinitesimal fragment of time, the other is a process that extends into time and space. What therefore can we expect from their association, especially in the twentieth century, which saw the birth of the most subjective and immaterial forms of art? Certain photographs, however, through the quality of the impression they show us, as well as by the material context in which they appear to us, have managed to overcome this divide. The solution seems to be in the concept of “photogenicness”, an essentially elusive quality that certain artists and photographers, using different strategies, succeed in appropriating.http://journals.openedition.org/cel/531 |
spellingShingle | Pierre-Emmanuel Perrier de La Bâthie La photogénie de l’artiste en action : six exemples de l’acte créateur photographié au xxe siècle Les Cahiers de l'École du Louvre |
title | La photogénie de l’artiste en action : six exemples de l’acte créateur photographié au xxe siècle |
title_full | La photogénie de l’artiste en action : six exemples de l’acte créateur photographié au xxe siècle |
title_fullStr | La photogénie de l’artiste en action : six exemples de l’acte créateur photographié au xxe siècle |
title_full_unstemmed | La photogénie de l’artiste en action : six exemples de l’acte créateur photographié au xxe siècle |
title_short | La photogénie de l’artiste en action : six exemples de l’acte créateur photographié au xxe siècle |
title_sort | la photogenie de l artiste en action six exemples de l acte createur photographie au xxe siecle |
url | http://journals.openedition.org/cel/531 |
work_keys_str_mv | AT pierreemmanuelperrierdelabathie laphotogeniedelartisteenactionsixexemplesdelactecreateurphotographieauxxesiecle |