Les formes de la concurrence autour de l’orgue italien de la Renaissance
Organ builders and the civic and religious communities that use them rely on a set of uses and models that reveals both the will to surpass and the desire to imitate a model considered to be excellent. This article proposes a typology of the forms of competition linked to the organ and to the differ...
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| Format: | Article |
| Language: | English |
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UMR 5136- France, Amériques, Espagne – Sociétés, Pouvoirs, Acteurs (FRAMESPA)
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| Series: | Les Cahiers de Framespa |
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| Online Access: | https://journals.openedition.org/framespa/12368 |
| _version_ | 1797306583513825280 |
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| author | Hugo Perina |
| author_facet | Hugo Perina |
| author_sort | Hugo Perina |
| collection | DOAJ |
| description | Organ builders and the civic and religious communities that use them rely on a set of uses and models that reveals both the will to surpass and the desire to imitate a model considered to be excellent. This article proposes a typology of the forms of competition linked to the organ and to the different actors in its production, from the craftsmen to the customers, including the evaluators. Since the value of an organ cannot be fixed according to strictly material considerations, the phenomena of competition also occur in the immaterial register. The craftsmen are valued in the same way as their production, whose quality makes its reputation. A sort of hierarchy emerges between organ builders on the basis of their capacity to respond to a set of standards whose models are the pre-existing instruments. Political and spiritual, the sound of the instrument is supposed to promote the unity of society (concord) and to participate in the policy of magnificence of the various powers active in the Italian cities of the Renaissance. |
| first_indexed | 2024-03-08T00:43:58Z |
| format | Article |
| id | doaj.art-2afb070eedbc49a09e10082d953eceef |
| institution | Directory Open Access Journal |
| issn | 1760-4761 |
| language | English |
| last_indexed | 2024-03-08T00:43:58Z |
| publisher | UMR 5136- France, Amériques, Espagne – Sociétés, Pouvoirs, Acteurs (FRAMESPA) |
| record_format | Article |
| series | Les Cahiers de Framespa |
| spelling | doaj.art-2afb070eedbc49a09e10082d953eceef2024-02-15T12:45:54ZengUMR 5136- France, Amériques, Espagne – Sociétés, Pouvoirs, Acteurs (FRAMESPA)Les Cahiers de Framespa1760-47613910.4000/framespa.12368Les formes de la concurrence autour de l’orgue italien de la RenaissanceHugo PerinaOrgan builders and the civic and religious communities that use them rely on a set of uses and models that reveals both the will to surpass and the desire to imitate a model considered to be excellent. This article proposes a typology of the forms of competition linked to the organ and to the different actors in its production, from the craftsmen to the customers, including the evaluators. Since the value of an organ cannot be fixed according to strictly material considerations, the phenomena of competition also occur in the immaterial register. The craftsmen are valued in the same way as their production, whose quality makes its reputation. A sort of hierarchy emerges between organ builders on the basis of their capacity to respond to a set of standards whose models are the pre-existing instruments. Political and spiritual, the sound of the instrument is supposed to promote the unity of society (concord) and to participate in the policy of magnificence of the various powers active in the Italian cities of the Renaissance.https://journals.openedition.org/framespa/12368RenaissanceOrganhistorical anthropologylabour historyhistory of music |
| spellingShingle | Hugo Perina Les formes de la concurrence autour de l’orgue italien de la Renaissance Les Cahiers de Framespa Renaissance Organ historical anthropology labour history history of music |
| title | Les formes de la concurrence autour de l’orgue italien de la Renaissance |
| title_full | Les formes de la concurrence autour de l’orgue italien de la Renaissance |
| title_fullStr | Les formes de la concurrence autour de l’orgue italien de la Renaissance |
| title_full_unstemmed | Les formes de la concurrence autour de l’orgue italien de la Renaissance |
| title_short | Les formes de la concurrence autour de l’orgue italien de la Renaissance |
| title_sort | les formes de la concurrence autour de l orgue italien de la renaissance |
| topic | Renaissance Organ historical anthropology labour history history of music |
| url | https://journals.openedition.org/framespa/12368 |
| work_keys_str_mv | AT hugoperina lesformesdelaconcurrenceautourdelorgueitaliendelarenaissance |