Deconstructing the narrative, constructing a meaning: Why was the Alexiad written?

In the present article I offer a narratological approach to Byzantine historiography and an aim to elucidate the key elements of narrative theory that would be useful for investigating medieval Byzantine histories and their complex narrative structures. The focus is put on the key narratolo...

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Main Author: Vilimonović Larisa
Format: Article
Language:Bulgarian
Published: Institute for Byzantine Studies of the Serbian Academy of Sciences and Arts 2015-01-01
Series:Zbornik Radova Vizantološkog Instituta
Subjects:
Online Access:http://www.doiserbia.nb.rs/img/doi/0584-9888/2015/0584-98881552207V.pdf
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author Vilimonović Larisa
author_facet Vilimonović Larisa
author_sort Vilimonović Larisa
collection DOAJ
description In the present article I offer a narratological approach to Byzantine historiography and an aim to elucidate the key elements of narrative theory that would be useful for investigating medieval Byzantine histories and their complex narrative structures. The focus is put on the key narratological aspects - genre, author, text and the audience - as those elements represent the core of literary criticism and contemporary studies of Byzantine literature. Through useful examples from the Alexiad, I intend to show how this theoretical vehicle functions and I hope to open a new field of scholarly communication on the matter of approach towards Byzantine historiography.
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spelling doaj.art-2b6a4dce6b9448298a401a9f30c8278a2022-12-21T18:51:44ZbulInstitute for Byzantine Studies of the Serbian Academy of Sciences and ArtsZbornik Radova Vizantološkog Instituta0584-98882406-09172015-01-0120155220723510.2298/ZRVI1552207V0584-98881552207VDeconstructing the narrative, constructing a meaning: Why was the Alexiad written?Vilimonović Larisa0Faculty of Philosophy, BelgradeIn the present article I offer a narratological approach to Byzantine historiography and an aim to elucidate the key elements of narrative theory that would be useful for investigating medieval Byzantine histories and their complex narrative structures. The focus is put on the key narratological aspects - genre, author, text and the audience - as those elements represent the core of literary criticism and contemporary studies of Byzantine literature. Through useful examples from the Alexiad, I intend to show how this theoretical vehicle functions and I hope to open a new field of scholarly communication on the matter of approach towards Byzantine historiography.http://www.doiserbia.nb.rs/img/doi/0584-9888/2015/0584-98881552207V.pdfAlexiadhistorygenrenarrative theorynarratologyAnna Komneneaudience
spellingShingle Vilimonović Larisa
Deconstructing the narrative, constructing a meaning: Why was the Alexiad written?
Zbornik Radova Vizantološkog Instituta
Alexiad
history
genre
narrative theory
narratology
Anna Komnene
audience
title Deconstructing the narrative, constructing a meaning: Why was the Alexiad written?
title_full Deconstructing the narrative, constructing a meaning: Why was the Alexiad written?
title_fullStr Deconstructing the narrative, constructing a meaning: Why was the Alexiad written?
title_full_unstemmed Deconstructing the narrative, constructing a meaning: Why was the Alexiad written?
title_short Deconstructing the narrative, constructing a meaning: Why was the Alexiad written?
title_sort deconstructing the narrative constructing a meaning why was the alexiad written
topic Alexiad
history
genre
narrative theory
narratology
Anna Komnene
audience
url http://www.doiserbia.nb.rs/img/doi/0584-9888/2015/0584-98881552207V.pdf
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