Though the Agony is Eternal: Voices from Below, from Anywhere. Exhibit of Dungeon Graffiti in Palazzo Chiaramonte-Steri, Palermo

Exhibitions and museums about the Inquisition are usually focused on trial procedures, which involved torture. This form of violence is typically exhibited through recreated torture devices and repeats a narrative that leaves out the bodies and subjectivities of the prosecuted. In this paper, I arg...

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Main Author: Anna Clara Basilicò
Format: Article
Language:deu
Published: StudienVerlag 2023-09-01
Series:Österreichische Zeitschrift für Geschichtswissenschaften
Subjects:
Online Access:https://journals.univie.ac.at/index.php/oezg/article/view/8240
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author Anna Clara Basilicò
author_facet Anna Clara Basilicò
author_sort Anna Clara Basilicò
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description Exhibitions and museums about the Inquisition are usually focused on trial procedures, which involved torture. This form of violence is typically exhibited through recreated torture devices and repeats a narrative that leaves out the bodies and subjectivities of the prosecuted. In this paper, I argue that, by displaying prisoners’ graffiti and providing context, the Steri Palace in Palermo, Sicily, produces a form of collective knowledge about early modern confinement rooted in the captives’ experience and self-representation, instead of reproducing the power relation that inquisitorial sources tend to present. I also argue that the Steri exhibition responds to the ‘morality’ issue prevalent in dark tourism studies.
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spelling doaj.art-2b82a80084d24f6ba24ba0344f5d5c2f2023-09-20T07:42:51ZdeuStudienVerlagÖsterreichische Zeitschrift für Geschichtswissenschaften1016-765X2707-966X2023-09-0134110.25365/oezg-2023-34-1-3Though the Agony is Eternal: Voices from Below, from Anywhere. Exhibit of Dungeon Graffiti in Palazzo Chiaramonte-Steri, PalermoAnna Clara Basilicò0University of Padua and Ca’ Foscari University, Department of History, Anthropology and Geography, Venice Centre for Digital and Public Humanities  Exhibitions and museums about the Inquisition are usually focused on trial procedures, which involved torture. This form of violence is typically exhibited through recreated torture devices and repeats a narrative that leaves out the bodies and subjectivities of the prosecuted. In this paper, I argue that, by displaying prisoners’ graffiti and providing context, the Steri Palace in Palermo, Sicily, produces a form of collective knowledge about early modern confinement rooted in the captives’ experience and self-representation, instead of reproducing the power relation that inquisitorial sources tend to present. I also argue that the Steri exhibition responds to the ‘morality’ issue prevalent in dark tourism studies. https://journals.univie.ac.at/index.php/oezg/article/view/8240grafittiprison historydark tourismInquisitiontorturePalermo
spellingShingle Anna Clara Basilicò
Though the Agony is Eternal: Voices from Below, from Anywhere. Exhibit of Dungeon Graffiti in Palazzo Chiaramonte-Steri, Palermo
Österreichische Zeitschrift für Geschichtswissenschaften
grafitti
prison history
dark tourism
Inquisition
torture
Palermo
title Though the Agony is Eternal: Voices from Below, from Anywhere. Exhibit of Dungeon Graffiti in Palazzo Chiaramonte-Steri, Palermo
title_full Though the Agony is Eternal: Voices from Below, from Anywhere. Exhibit of Dungeon Graffiti in Palazzo Chiaramonte-Steri, Palermo
title_fullStr Though the Agony is Eternal: Voices from Below, from Anywhere. Exhibit of Dungeon Graffiti in Palazzo Chiaramonte-Steri, Palermo
title_full_unstemmed Though the Agony is Eternal: Voices from Below, from Anywhere. Exhibit of Dungeon Graffiti in Palazzo Chiaramonte-Steri, Palermo
title_short Though the Agony is Eternal: Voices from Below, from Anywhere. Exhibit of Dungeon Graffiti in Palazzo Chiaramonte-Steri, Palermo
title_sort though the agony is eternal voices from below from anywhere exhibit of dungeon graffiti in palazzo chiaramonte steri palermo
topic grafitti
prison history
dark tourism
Inquisition
torture
Palermo
url https://journals.univie.ac.at/index.php/oezg/article/view/8240
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