The Beginning of the End: the Prologue and Epilogues of Hungry Hill and The Glass-Blowers

This article provides a close reading of the prologue and epilogues of two fictionalised family biographies: Hungry Hill (1943) and The Glass-Blowers (1963). It is not standard practice for Du Maurier to offer prologues and epilogues to her novels, but she ends Hungry Hill with a lengthy epilogue an...

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Main Author: Eva Leung
Format: Article
Language:English
Published: Presses universitaires de Rennes
Series:Revue LISA
Subjects:
Online Access:https://journals.openedition.org/lisa/13707
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author Eva Leung
author_facet Eva Leung
author_sort Eva Leung
collection DOAJ
description This article provides a close reading of the prologue and epilogues of two fictionalised family biographies: Hungry Hill (1943) and The Glass-Blowers (1963). It is not standard practice for Du Maurier to offer prologues and epilogues to her novels, but she ends Hungry Hill with a lengthy epilogue and provides The Glass-Blowers with both a prologue and an epilogue. This article examines the plausible rationales for this aesthetic feature, in terms of the function of contextualisation and characterisation, and analyses how closure is achieved both for the characters concerned and the readers. It shows that the development of these features is not the result of accident, but of narrative experimentation.
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spelling doaj.art-2b9d64521ec74868a36f7948e0ece3232024-02-13T14:35:30ZengPresses universitaires de RennesRevue LISA1762-61531910.4000/lisa.13707The Beginning of the End: the Prologue and Epilogues of Hungry Hill and The Glass-BlowersEva LeungThis article provides a close reading of the prologue and epilogues of two fictionalised family biographies: Hungry Hill (1943) and The Glass-Blowers (1963). It is not standard practice for Du Maurier to offer prologues and epilogues to her novels, but she ends Hungry Hill with a lengthy epilogue and provides The Glass-Blowers with both a prologue and an epilogue. This article examines the plausible rationales for this aesthetic feature, in terms of the function of contextualisation and characterisation, and analyses how closure is achieved both for the characters concerned and the readers. It shows that the development of these features is not the result of accident, but of narrative experimentation.https://journals.openedition.org/lisa/13707du Maurier DaphneepilogueclosureGlass-BlowersHungry Hillprologue
spellingShingle Eva Leung
The Beginning of the End: the Prologue and Epilogues of Hungry Hill and The Glass-Blowers
Revue LISA
du Maurier Daphne
epilogue
closure
Glass-Blowers
Hungry Hill
prologue
title The Beginning of the End: the Prologue and Epilogues of Hungry Hill and The Glass-Blowers
title_full The Beginning of the End: the Prologue and Epilogues of Hungry Hill and The Glass-Blowers
title_fullStr The Beginning of the End: the Prologue and Epilogues of Hungry Hill and The Glass-Blowers
title_full_unstemmed The Beginning of the End: the Prologue and Epilogues of Hungry Hill and The Glass-Blowers
title_short The Beginning of the End: the Prologue and Epilogues of Hungry Hill and The Glass-Blowers
title_sort beginning of the end the prologue and epilogues of hungry hill and the glass blowers
topic du Maurier Daphne
epilogue
closure
Glass-Blowers
Hungry Hill
prologue
url https://journals.openedition.org/lisa/13707
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