К поэтике и семантике <i>Тамани </i>Лермонтова

This paper examins a chapter of Lermontov’s novel which has rarely been discussed so far, and concentrates on the semantic and phonetic levels of the text. The starting point of the analysis is Pechorin’s name and its phonetic, semantic and ethymological links. Pechorin’s name includes two binary op...

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Main Author: Zsófia Szilágyi
Format: Article
Language:English
Published: University of Trieste, University of Ljubljana, University of Konstanz 1994-01-01
Series:Slavica TerGestina
Online Access:http://www.openstarts.units.it/dspace/bitstream/10077/3945/1/Szilagy%20Slavica%2002.pdf
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author Zsófia Szilágyi
author_facet Zsófia Szilágyi
author_sort Zsófia Szilágyi
collection DOAJ
description This paper examins a chapter of Lermontov’s novel which has rarely been discussed so far, and concentrates on the semantic and phonetic levels of the text. The starting point of the analysis is Pechorin’s name and its phonetic, semantic and ethymological links. Pechorin’s name includes two binary oppositions (fire-water, one’s own world-alien world), which are realized through the mythological background in the text. In the mythological cast the blind boy plays the role of the evil, the girl the role of rusalka and the narrator the role of the domovoj. The text of each chapter in the novel is constructed in the same way, therefore the analysis of Taman’ can give a clue to the interpretation of the novel as a whole.
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spelling doaj.art-2bc97bc5f787437dbee69a9a3d254b8c2022-12-22T00:06:07ZengUniversity of Trieste, University of Ljubljana, University of KonstanzSlavica TerGestina1592-02911994-01-01Slavica Tergestina 2Studia russica2132К поэтике и семантике <i>Тамани </i>ЛермонтоваZsófia SzilágyiThis paper examins a chapter of Lermontov’s novel which has rarely been discussed so far, and concentrates on the semantic and phonetic levels of the text. The starting point of the analysis is Pechorin’s name and its phonetic, semantic and ethymological links. Pechorin’s name includes two binary oppositions (fire-water, one’s own world-alien world), which are realized through the mythological background in the text. In the mythological cast the blind boy plays the role of the evil, the girl the role of rusalka and the narrator the role of the domovoj. The text of each chapter in the novel is constructed in the same way, therefore the analysis of Taman’ can give a clue to the interpretation of the novel as a whole.http://www.openstarts.units.it/dspace/bitstream/10077/3945/1/Szilagy%20Slavica%2002.pdf
spellingShingle Zsófia Szilágyi
К поэтике и семантике <i>Тамани </i>Лермонтова
Slavica TerGestina
title К поэтике и семантике <i>Тамани </i>Лермонтова
title_full К поэтике и семантике <i>Тамани </i>Лермонтова
title_fullStr К поэтике и семантике <i>Тамани </i>Лермонтова
title_full_unstemmed К поэтике и семантике <i>Тамани </i>Лермонтова
title_short К поэтике и семантике <i>Тамани </i>Лермонтова
title_sort к поэтике и семантике i тамани i лермонтова
url http://www.openstarts.units.it/dspace/bitstream/10077/3945/1/Szilagy%20Slavica%2002.pdf
work_keys_str_mv AT zsofiaszilagyi kpoétikeisemantikeitamaniilermontova