Capturing Futurity: The Artistic Exchange of Alvin Langdon Coburn and H. G. Wells

During the first decade of the twentieth century, the American-born British photographer Alvin Langdon Coburn renounced pictorialism as he documented New York City’s unprecedented architecture. Scholars have suggested that Coburn’s shift from pictorialism occurred after 1910 when his awareness of mo...

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Auteur principal: Margaret J. Schmitz
Format: Article
Langue:English
Publié: Yale University 2022-08-01
Collection:British Art Studies
Accès en ligne:https://www.britishartstudies.ac.uk/issues/issue-index/issue-23/the-artistic-exchange-of-alvin-langdon-coburn-and-h-g-wells
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author Margaret J. Schmitz
author_facet Margaret J. Schmitz
author_sort Margaret J. Schmitz
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description During the first decade of the twentieth century, the American-born British photographer Alvin Langdon Coburn renounced pictorialism as he documented New York City’s unprecedented architecture. Scholars have suggested that Coburn’s shift from pictorialism occurred after 1910 when his awareness of modern art movements solidified. However, this article demonstrates that Coburn’s experimentation with radical aesthetics began earlier and was instigated by his friendship with English science fiction writer H. G. Wells. Coburn formulated a visual language of futurity as he interpreted Wells’s fantastical texts in his photographs of New York. In doing so, he captured the modern metropolis’s inherent abstraction and explored how a photographed moment could be temporally estranged from the present by infusing it with a sense of the future. While Coburn’s friendship with Wells had a significant impact on his maturation as an artist, their artistic exchange has not been given adequate scholarly attention until now.
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spelling doaj.art-2bcb8d002eed4ea8b1b51b5da5b6a6572022-12-22T04:01:07ZengYale UniversityBritish Art Studies2058-54622022-08-012310.17658/issn.2058-5462/issue-23/mschmitzCapturing Futurity: The Artistic Exchange of Alvin Langdon Coburn and H. G. WellsMargaret J. Schmitz0Milwaukee Institute of Art and DesignDuring the first decade of the twentieth century, the American-born British photographer Alvin Langdon Coburn renounced pictorialism as he documented New York City’s unprecedented architecture. Scholars have suggested that Coburn’s shift from pictorialism occurred after 1910 when his awareness of modern art movements solidified. However, this article demonstrates that Coburn’s experimentation with radical aesthetics began earlier and was instigated by his friendship with English science fiction writer H. G. Wells. Coburn formulated a visual language of futurity as he interpreted Wells’s fantastical texts in his photographs of New York. In doing so, he captured the modern metropolis’s inherent abstraction and explored how a photographed moment could be temporally estranged from the present by infusing it with a sense of the future. While Coburn’s friendship with Wells had a significant impact on his maturation as an artist, their artistic exchange has not been given adequate scholarly attention until now.https://www.britishartstudies.ac.uk/issues/issue-index/issue-23/the-artistic-exchange-of-alvin-langdon-coburn-and-h-g-wells
spellingShingle Margaret J. Schmitz
Capturing Futurity: The Artistic Exchange of Alvin Langdon Coburn and H. G. Wells
British Art Studies
title Capturing Futurity: The Artistic Exchange of Alvin Langdon Coburn and H. G. Wells
title_full Capturing Futurity: The Artistic Exchange of Alvin Langdon Coburn and H. G. Wells
title_fullStr Capturing Futurity: The Artistic Exchange of Alvin Langdon Coburn and H. G. Wells
title_full_unstemmed Capturing Futurity: The Artistic Exchange of Alvin Langdon Coburn and H. G. Wells
title_short Capturing Futurity: The Artistic Exchange of Alvin Langdon Coburn and H. G. Wells
title_sort capturing futurity the artistic exchange of alvin langdon coburn and h g wells
url https://www.britishartstudies.ac.uk/issues/issue-index/issue-23/the-artistic-exchange-of-alvin-langdon-coburn-and-h-g-wells
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