Male voices in Ovid’s Heroides

Ovid’s Heroides, both the single and double letters, have been intensively explored in terms of the role and character of the female voice throughout the last few decades. The single letters, in particular, supposedly written by well-known legendary heroines abandoned by, or separated from, their “h...

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Main Author: Andreas N. Michalopoulos
Format: Article
Language:deu
Published: Université Lille-3 2022-12-01
Series:Dictynna
Subjects:
Online Access:http://journals.openedition.org/dictynna/2923
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author Andreas N. Michalopoulos
author_facet Andreas N. Michalopoulos
author_sort Andreas N. Michalopoulos
collection DOAJ
description Ovid’s Heroides, both the single and double letters, have been intensively explored in terms of the role and character of the female voice throughout the last few decades. The single letters, in particular, supposedly written by well-known legendary heroines abandoned by, or separated from, their “heroic” husbands or lovers, have been extensively treated as regards Ovid’s, i.e. a male poet’s, ability to successfully assume the female voice and write from the perspective of women, a challenging feat in all respects. On this point Ovidian critics have not reached a unanimous verdict. What about the male voice, though? Is it fully lost under the veil of feminine writing? This paper seeks to bring the male voice to the forefront by examining certain passages from the single Heroides, in which the male voice is heard, either in indirect speech or through direct quoting of the words of the male lovers. It also attempts to trace each female letter-writer’s motivation for quoting these words, the criteria governing the choice of these quotations, and their purpose within each letter.
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spelling doaj.art-2c0738f6ecf946efa115b2b8b7378cb92023-01-05T13:16:46ZdeuUniversité Lille-3Dictynna1969-42021765-31422022-12-011910.4000/dictynna.2923Male voices in Ovid’s HeroidesAndreas N. MichalopoulosOvid’s Heroides, both the single and double letters, have been intensively explored in terms of the role and character of the female voice throughout the last few decades. The single letters, in particular, supposedly written by well-known legendary heroines abandoned by, or separated from, their “heroic” husbands or lovers, have been extensively treated as regards Ovid’s, i.e. a male poet’s, ability to successfully assume the female voice and write from the perspective of women, a challenging feat in all respects. On this point Ovidian critics have not reached a unanimous verdict. What about the male voice, though? Is it fully lost under the veil of feminine writing? This paper seeks to bring the male voice to the forefront by examining certain passages from the single Heroides, in which the male voice is heard, either in indirect speech or through direct quoting of the words of the male lovers. It also attempts to trace each female letter-writer’s motivation for quoting these words, the criteria governing the choice of these quotations, and their purpose within each letter.http://journals.openedition.org/dictynna/2923(fe)male voiceOvidHeroidesPenelopePhyllisBriseis
spellingShingle Andreas N. Michalopoulos
Male voices in Ovid’s Heroides
Dictynna
(fe)male voice
Ovid
Heroides
Penelope
Phyllis
Briseis
title Male voices in Ovid’s Heroides
title_full Male voices in Ovid’s Heroides
title_fullStr Male voices in Ovid’s Heroides
title_full_unstemmed Male voices in Ovid’s Heroides
title_short Male voices in Ovid’s Heroides
title_sort male voices in ovid s heroides
topic (fe)male voice
Ovid
Heroides
Penelope
Phyllis
Briseis
url http://journals.openedition.org/dictynna/2923
work_keys_str_mv AT andreasnmichalopoulos malevoicesinovidsheroides