Special relativity: Albert Einstein to Leonardo Da Vinci
The final printing of “Albert Einstein Correspondence avec Michele Besso 1903 - 1955” was released by Collection Savoir, Hermann, Paris, on “Nine-Eleven” 2001. Upon collecting the full printed run of the Einstein/Besso correspondence, the heir to the Besso estate, Dr. Vittorio Besso, was invited to...
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| Format: | Article |
| Language: | English |
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University of Bologna
2022-08-01
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| Series: | Conservation Science in Cultural Heritage |
| Subjects: | |
| Online Access: | https://conservation-science.unibo.it/article/view/15258 |
| _version_ | 1818490468313333760 |
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| author | John Asmus Vadim Parfenov |
| author_facet | John Asmus Vadim Parfenov |
| author_sort | John Asmus |
| collection | DOAJ |
| description | The final printing of “Albert Einstein Correspondence avec Michele Besso 1903 - 1955” was released by Collection Savoir, Hermann, Paris, on “Nine-Eleven” 2001. Upon collecting the full printed run of the Einstein/Besso correspondence, the heir to the Besso estate, Dr. Vittorio Besso, was invited to attend the scientific conference LACONA V (LACONA is the abbreviation of the words Lasers for Artworks Conservation, which is the name of the most important international conference in the field) where he became aware of the laser technique for the divestment of restorations from paintings. Thereafter upon returning to his ophthalmological studio in Imperia, Italy, Dr. Besso performed laser ablation of overpaints revealing pentimenti of the painter’s autograph on a “Mona Lisa” painting in the family collection of inherited Renaissance paintings. An IR photograph of the faint signature pentimenti was then compared with validated autographs of Leonardo’s assistant and companion, Francesco Melzi, and found to be geometrically inconsistent with validated signatures. Amplitude histograms of features of this “Mona Lisa” were next compared with comparable validated original portraits by Melzi, revealing chiaroscuro “fingerprints.” Any potential Melzi attribution would be consistent with the Besso family history as illuminated in the fifty-two years of Einstein/Besso correspondence concerning both art and science. |
| first_indexed | 2024-12-10T17:17:27Z |
| format | Article |
| id | doaj.art-2c30219292024710b742fd717367d71c |
| institution | Directory Open Access Journal |
| issn | 1974-4951 1973-9494 |
| language | English |
| last_indexed | 2024-12-10T17:17:27Z |
| publishDate | 2022-08-01 |
| publisher | University of Bologna |
| record_format | Article |
| series | Conservation Science in Cultural Heritage |
| spelling | doaj.art-2c30219292024710b742fd717367d71c2022-12-22T01:40:05ZengUniversity of BolognaConservation Science in Cultural Heritage1974-49511973-94942022-08-012133734410.48255/1973-9494.JCSCH.21.2021.1613591Special relativity: Albert Einstein to Leonardo Da VinciJohn Asmus0Vadim Parfenov1University of California San Diego, CA, USASt. Petersburg Electrotechnical University, St. Petersburg, Russian FederationThe final printing of “Albert Einstein Correspondence avec Michele Besso 1903 - 1955” was released by Collection Savoir, Hermann, Paris, on “Nine-Eleven” 2001. Upon collecting the full printed run of the Einstein/Besso correspondence, the heir to the Besso estate, Dr. Vittorio Besso, was invited to attend the scientific conference LACONA V (LACONA is the abbreviation of the words Lasers for Artworks Conservation, which is the name of the most important international conference in the field) where he became aware of the laser technique for the divestment of restorations from paintings. Thereafter upon returning to his ophthalmological studio in Imperia, Italy, Dr. Besso performed laser ablation of overpaints revealing pentimenti of the painter’s autograph on a “Mona Lisa” painting in the family collection of inherited Renaissance paintings. An IR photograph of the faint signature pentimenti was then compared with validated autographs of Leonardo’s assistant and companion, Francesco Melzi, and found to be geometrically inconsistent with validated signatures. Amplitude histograms of features of this “Mona Lisa” were next compared with comparable validated original portraits by Melzi, revealing chiaroscuro “fingerprints.” Any potential Melzi attribution would be consistent with the Besso family history as illuminated in the fifty-two years of Einstein/Besso correspondence concerning both art and science.https://conservation-science.unibo.it/article/view/15258mona lisaleonardo da vincilaser cleaningpaintinghistogram |
| spellingShingle | John Asmus Vadim Parfenov Special relativity: Albert Einstein to Leonardo Da Vinci Conservation Science in Cultural Heritage mona lisa leonardo da vinci laser cleaning painting histogram |
| title | Special relativity: Albert Einstein to Leonardo Da Vinci |
| title_full | Special relativity: Albert Einstein to Leonardo Da Vinci |
| title_fullStr | Special relativity: Albert Einstein to Leonardo Da Vinci |
| title_full_unstemmed | Special relativity: Albert Einstein to Leonardo Da Vinci |
| title_short | Special relativity: Albert Einstein to Leonardo Da Vinci |
| title_sort | special relativity albert einstein to leonardo da vinci |
| topic | mona lisa leonardo da vinci laser cleaning painting histogram |
| url | https://conservation-science.unibo.it/article/view/15258 |
| work_keys_str_mv | AT johnasmus specialrelativityalberteinsteintoleonardodavinci AT vadimparfenov specialrelativityalberteinsteintoleonardodavinci |