| Summary: | It is proposed to develop the bond between theater and Gilles Deleuze's thought to the inside of the metaphisical program present in Difference and repetition. For this, first, there will be outlined the bond between the inversion of platonism and the power of theater simulation in Deleuze's thought. Secondly, there will be proved that Deleuze's thought is oultined from a rupture with that philosophical tradition marked by a first representational reading of theater. Finally, that rupture will be inscribed in Deleuze's interest for an inventive comprehension of the philosophical expression forms, destined to reformulate boundaries and thinking attempts.
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