Brecht Is More Relevant Than Ever in the Time of COVID-19

Can theatre survive the pandemic era? If flattening the curve does not mean the end of COVID-19, and pandemics caused by different kinds of viruses become an inevitable part of our future, how should the theatre community navigate its way forward? If we face another situation where theatres are forc...

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Main Author: Jisoo Nam
Format: Article
Language:English
Published: IATC 2020-12-01
Series:Critical Stages
Subjects:
Online Access:https://www.critical-stages.org/22/brecht-is-more-relevant-than-ever-in-the-time-of-covid-19/
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author Jisoo Nam
author_facet Jisoo Nam
author_sort Jisoo Nam
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description Can theatre survive the pandemic era? If flattening the curve does not mean the end of COVID-19, and pandemics caused by different kinds of viruses become an inevitable part of our future, how should the theatre community navigate its way forward? If we face another situation where theatres are forced to shut down or performances with a live audience are restricted, should we all stop again? A local Korean theatre company has flatly said “no” to this idea and decided to explore a sustainable theatre model that could work in the COVID-19 era by tweaking how theatre works. Theatre Group Sungbukdong Beedulgee (SB)’s experiment involves a standard theatrical approach that examines non-contact interactions within contact interactions, where the two elements are complementary rather than in competition. This paper focuses on directing and acting techniques maximizing Bertolt Brecht’s concept of alienation with particular reference to SB’s Brecht’s Alienation Effect.
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spelling doaj.art-2d740cd21c034152bf0a0b1db863e2de2022-12-22T04:15:18ZengIATCCritical Stages2409-74112020-12-0122Brecht Is More Relevant Than Ever in the Time of COVID-19Jisoo NamCan theatre survive the pandemic era? If flattening the curve does not mean the end of COVID-19, and pandemics caused by different kinds of viruses become an inevitable part of our future, how should the theatre community navigate its way forward? If we face another situation where theatres are forced to shut down or performances with a live audience are restricted, should we all stop again? A local Korean theatre company has flatly said “no” to this idea and decided to explore a sustainable theatre model that could work in the COVID-19 era by tweaking how theatre works. Theatre Group Sungbukdong Beedulgee (SB)’s experiment involves a standard theatrical approach that examines non-contact interactions within contact interactions, where the two elements are complementary rather than in competition. This paper focuses on directing and acting techniques maximizing Bertolt Brecht’s concept of alienation with particular reference to SB’s Brecht’s Alienation Effect.https://www.critical-stages.org/22/brecht-is-more-relevant-than-ever-in-the-time-of-covid-19/covid-19 theatre projectpandemic-era theatrebertolt brechtalienation effectsungbukdong beedulgee
spellingShingle Jisoo Nam
Brecht Is More Relevant Than Ever in the Time of COVID-19
Critical Stages
covid-19 theatre project
pandemic-era theatre
bertolt brecht
alienation effect
sungbukdong beedulgee
title Brecht Is More Relevant Than Ever in the Time of COVID-19
title_full Brecht Is More Relevant Than Ever in the Time of COVID-19
title_fullStr Brecht Is More Relevant Than Ever in the Time of COVID-19
title_full_unstemmed Brecht Is More Relevant Than Ever in the Time of COVID-19
title_short Brecht Is More Relevant Than Ever in the Time of COVID-19
title_sort brecht is more relevant than ever in the time of covid 19
topic covid-19 theatre project
pandemic-era theatre
bertolt brecht
alienation effect
sungbukdong beedulgee
url https://www.critical-stages.org/22/brecht-is-more-relevant-than-ever-in-the-time-of-covid-19/
work_keys_str_mv AT jisoonam brechtismorerelevantthaneverinthetimeofcovid19