Transfiguration, Art, Pathicity. Somaesthetics Reconsidered

In this discussion piece, I will comment on the collective volume, edited by Jerold J. Abrams, Shusterman’s Somaesthetics. From Hip Hop Philosophy to Politics and Performance Art (2022). I will articulate my reflections around three main themes, which intersect the theme of several of the essays of...

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Main Author: Alessandro Nannini
Format: Article
Language:ces
Published: University of Presov, Faculty of Arts 2023-12-01
Series:ESPES
Subjects:
Online Access:https://espes.ff.unipo.sk/index.php/ESPES/article/view/318
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author Alessandro Nannini
author_facet Alessandro Nannini
author_sort Alessandro Nannini
collection DOAJ
description In this discussion piece, I will comment on the collective volume, edited by Jerold J. Abrams, Shusterman’s Somaesthetics. From Hip Hop Philosophy to Politics and Performance Art (2022). I will articulate my reflections around three main themes, which intersect the theme of several of the essays of the volume: I will first of all consider the concept of transfiguration, commenting upon the difference between Danto’s hermeneuticist perspective and Shusterman’s somaesthetic reinterpretation, with special regard to his performative experiment, the Man in Gold. Secondly, I will turn to a possible consequence entailed by this reinterpretation concerning the relation between aesthetics and art. Finally, I will turn to the controversy between somaesthetics and pathic aesthetics, and comment on a possible way to reconcile some elements of both, starting from the condition of the suffering body.
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spelling doaj.art-2d7a9c8593324d5399f66f49369ae9842024-01-18T14:16:02ZcesUniversity of Presov, Faculty of ArtsESPES1339-11192023-12-0112210.5281/zenodo.10513111254Transfiguration, Art, Pathicity. Somaesthetics ReconsideredAlessandro Nannini0University of Bucharest ICUB Humanities, Str. Dimitrie Brandza 1 RO-060102, BucharestIn this discussion piece, I will comment on the collective volume, edited by Jerold J. Abrams, Shusterman’s Somaesthetics. From Hip Hop Philosophy to Politics and Performance Art (2022). I will articulate my reflections around three main themes, which intersect the theme of several of the essays of the volume: I will first of all consider the concept of transfiguration, commenting upon the difference between Danto’s hermeneuticist perspective and Shusterman’s somaesthetic reinterpretation, with special regard to his performative experiment, the Man in Gold. Secondly, I will turn to a possible consequence entailed by this reinterpretation concerning the relation between aesthetics and art. Finally, I will turn to the controversy between somaesthetics and pathic aesthetics, and comment on a possible way to reconcile some elements of both, starting from the condition of the suffering body.https://espes.ff.unipo.sk/index.php/ESPES/article/view/318transfigurationartpathicitysomaestheticsshusterman
spellingShingle Alessandro Nannini
Transfiguration, Art, Pathicity. Somaesthetics Reconsidered
ESPES
transfiguration
art
pathicity
somaesthetics
shusterman
title Transfiguration, Art, Pathicity. Somaesthetics Reconsidered
title_full Transfiguration, Art, Pathicity. Somaesthetics Reconsidered
title_fullStr Transfiguration, Art, Pathicity. Somaesthetics Reconsidered
title_full_unstemmed Transfiguration, Art, Pathicity. Somaesthetics Reconsidered
title_short Transfiguration, Art, Pathicity. Somaesthetics Reconsidered
title_sort transfiguration art pathicity somaesthetics reconsidered
topic transfiguration
art
pathicity
somaesthetics
shusterman
url https://espes.ff.unipo.sk/index.php/ESPES/article/view/318
work_keys_str_mv AT alessandronannini transfigurationartpathicitysomaestheticsreconsidered