The Outrageousness of Outrage: Daphne du Maurier’s ‘Monte Verità’

This article takes as its starting point the lack of critical interest in du Maurier’s short story ‘Monte Verità’. Informed by Margaret Forster’s biography and a paper by Zižek, it confronts the contradictory and ambivalent conceptions of outrage developed in the narrative and reads the short story...

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Main Author: Christine Reynier
Format: Article
Language:English
Published: Presses Universitaires de la Méditerranée 2013-10-01
Series:Études Britanniques Contemporaines
Subjects:
Online Access:http://journals.openedition.org/ebc/683
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author Christine Reynier
author_facet Christine Reynier
author_sort Christine Reynier
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description This article takes as its starting point the lack of critical interest in du Maurier’s short story ‘Monte Verità’. Informed by Margaret Forster’s biography and a paper by Zižek, it confronts the contradictory and ambivalent conceptions of outrage developed in the narrative and reads the short story as a reflection on the nature of outrage and as raising ethical questions connected with it, what is called here, in reference to Stuart Hall, the ethics of outrage. Those general reflections on outrage are finally shown to take on a more specific meaning when the context of the story and its connection with modernist aesthetics is taken into account.
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spelling doaj.art-2d8c5a2f75ae4bf1ae6ea7daf7e7ee152022-12-22T01:55:25ZengPresses Universitaires de la MéditerranéeÉtudes Britanniques Contemporaines1168-49172271-54442013-10-014510.4000/ebc.683The Outrageousness of Outrage: Daphne du Maurier’s ‘Monte Verità’Christine ReynierThis article takes as its starting point the lack of critical interest in du Maurier’s short story ‘Monte Verità’. Informed by Margaret Forster’s biography and a paper by Zižek, it confronts the contradictory and ambivalent conceptions of outrage developed in the narrative and reads the short story as a reflection on the nature of outrage and as raising ethical questions connected with it, what is called here, in reference to Stuart Hall, the ethics of outrage. Those general reflections on outrage are finally shown to take on a more specific meaning when the context of the story and its connection with modernist aesthetics is taken into account.http://journals.openedition.org/ebc/683Daphne du MaurierMonte VeritàMargaret ForsterStuart HallZižekoutrage
spellingShingle Christine Reynier
The Outrageousness of Outrage: Daphne du Maurier’s ‘Monte Verità’
Études Britanniques Contemporaines
Daphne du Maurier
Monte Verità
Margaret Forster
Stuart Hall
Zižek
outrage
title The Outrageousness of Outrage: Daphne du Maurier’s ‘Monte Verità’
title_full The Outrageousness of Outrage: Daphne du Maurier’s ‘Monte Verità’
title_fullStr The Outrageousness of Outrage: Daphne du Maurier’s ‘Monte Verità’
title_full_unstemmed The Outrageousness of Outrage: Daphne du Maurier’s ‘Monte Verità’
title_short The Outrageousness of Outrage: Daphne du Maurier’s ‘Monte Verità’
title_sort outrageousness of outrage daphne du maurier s monte verita
topic Daphne du Maurier
Monte Verità
Margaret Forster
Stuart Hall
Zižek
outrage
url http://journals.openedition.org/ebc/683
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