‘Process or paralysis? Revisiting the contemporary art canon’: Re-envisioning the Contemporary Art Canon: Perspectives in a Global World, edited by Ruth E. Iskin, London and New York: Routledge, 2017

Ruth E. Iskin’s new collection presents the artists and genres of a new global art and reflects on the challenges they offer the museum, gallery administrators, and scholars of the future. She and her contributors are particularly concerned with the likelihood of a new canon that will emerge in thi...

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Bibliographic Details
Main Author: Jan Gorak
Format: Article
Language:English
Published: Department of Art History, University of Birmingham 2017-12-01
Series:Journal of Art Historiography
Subjects:
Online Access:https://arthistoriography.files.wordpress.com/2017/11/gorak-rev.pdf
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author Jan Gorak
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description Ruth E. Iskin’s new collection presents the artists and genres of a new global art and reflects on the challenges they offer the museum, gallery administrators, and scholars of the future. She and her contributors are particularly concerned with the likelihood of a new canon that will emerge in this global future, arguing that such a canon must be less exclusive, less centralized, and more self-conscious than any predecessor. The review is particularly concerned with how the findings of the collection relate to the larger history of canon formation in the humanities.
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spelling doaj.art-2dced911249e464e95e36b09b917b5022022-12-22T00:25:48ZengDepartment of Art History, University of BirminghamJournal of Art Historiography2042-47522017-12-011717JG1‘Process or paralysis? Revisiting the contemporary art canon’: Re-envisioning the Contemporary Art Canon: Perspectives in a Global World, edited by Ruth E. Iskin, London and New York: Routledge, 2017Jan Gorak 0DenverRuth E. Iskin’s new collection presents the artists and genres of a new global art and reflects on the challenges they offer the museum, gallery administrators, and scholars of the future. She and her contributors are particularly concerned with the likelihood of a new canon that will emerge in this global future, arguing that such a canon must be less exclusive, less centralized, and more self-conscious than any predecessor. The review is particularly concerned with how the findings of the collection relate to the larger history of canon formation in the humanities.https://arthistoriography.files.wordpress.com/2017/11/gorak-rev.pdfglobalcanoncontestationprocesspluriversal
spellingShingle Jan Gorak
‘Process or paralysis? Revisiting the contemporary art canon’: Re-envisioning the Contemporary Art Canon: Perspectives in a Global World, edited by Ruth E. Iskin, London and New York: Routledge, 2017
Journal of Art Historiography
global
canon
contestation
process
pluriversal
title ‘Process or paralysis? Revisiting the contemporary art canon’: Re-envisioning the Contemporary Art Canon: Perspectives in a Global World, edited by Ruth E. Iskin, London and New York: Routledge, 2017
title_full ‘Process or paralysis? Revisiting the contemporary art canon’: Re-envisioning the Contemporary Art Canon: Perspectives in a Global World, edited by Ruth E. Iskin, London and New York: Routledge, 2017
title_fullStr ‘Process or paralysis? Revisiting the contemporary art canon’: Re-envisioning the Contemporary Art Canon: Perspectives in a Global World, edited by Ruth E. Iskin, London and New York: Routledge, 2017
title_full_unstemmed ‘Process or paralysis? Revisiting the contemporary art canon’: Re-envisioning the Contemporary Art Canon: Perspectives in a Global World, edited by Ruth E. Iskin, London and New York: Routledge, 2017
title_short ‘Process or paralysis? Revisiting the contemporary art canon’: Re-envisioning the Contemporary Art Canon: Perspectives in a Global World, edited by Ruth E. Iskin, London and New York: Routledge, 2017
title_sort process or paralysis revisiting the contemporary art canon re envisioning the contemporary art canon perspectives in a global world edited by ruth e iskin london and new york routledge 2017
topic global
canon
contestation
process
pluriversal
url https://arthistoriography.files.wordpress.com/2017/11/gorak-rev.pdf
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