Il cielo in una scena

In May 1908 the Künstlertheater in Munich first opened its doors to the public. The new theatre had just been built according to the structural ideas of the German publicist and theatre theorist Georg Fuchs (1868-1949) and the first play to be represented on the new stage – Goethe’s Faust – had been...

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Main Author: Eloisa Perone
Format: Article
Language:Italian
Published: Edizioni di Pagina 2015-12-01
Series:Il castello di Elsinore
Online Access:https://ilcastellodielsinore.it/index.php/Elsinore/article/view/75
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author Eloisa Perone
author_facet Eloisa Perone
author_sort Eloisa Perone
collection DOAJ
description In May 1908 the Künstlertheater in Munich first opened its doors to the public. The new theatre had just been built according to the structural ideas of the German publicist and theatre theorist Georg Fuchs (1868-1949) and the first play to be represented on the new stage – Goethe’s Faust – had been chosen by the dramatist in order to represent the profound reform he wished for the theatre (later summarized in his famous Revolution in the Theatre). Thanks to the critiques of the time and Fuchs’s own writings, it is possible to partly reconstruct the staging of the play, and to gain a privileged insight into the practical transposition of Fuchs’s theatre reform, as well as into a time in which theatre seems to be on the brink of a profound renewal while being yet strongly attached to its recent past.
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spelling doaj.art-2e2995b44baf4e0da3ca745e82cbc8642022-12-21T21:09:14ZitaEdizioni di PaginaIl castello di Elsinore0394-93892036-56242015-12-017310.13135/2036-5624/75Il cielo in una scenaEloisa PeroneIn May 1908 the Künstlertheater in Munich first opened its doors to the public. The new theatre had just been built according to the structural ideas of the German publicist and theatre theorist Georg Fuchs (1868-1949) and the first play to be represented on the new stage – Goethe’s Faust – had been chosen by the dramatist in order to represent the profound reform he wished for the theatre (later summarized in his famous Revolution in the Theatre). Thanks to the critiques of the time and Fuchs’s own writings, it is possible to partly reconstruct the staging of the play, and to gain a privileged insight into the practical transposition of Fuchs’s theatre reform, as well as into a time in which theatre seems to be on the brink of a profound renewal while being yet strongly attached to its recent past.https://ilcastellodielsinore.it/index.php/Elsinore/article/view/75
spellingShingle Eloisa Perone
Il cielo in una scena
Il castello di Elsinore
title Il cielo in una scena
title_full Il cielo in una scena
title_fullStr Il cielo in una scena
title_full_unstemmed Il cielo in una scena
title_short Il cielo in una scena
title_sort il cielo in una scena
url https://ilcastellodielsinore.it/index.php/Elsinore/article/view/75
work_keys_str_mv AT eloisaperone ilcieloinunascena