L’idéal qui donne sa lumière au silence : Antonio Gramsci et la culture musicale italienne de l’après-guerre

This study addresses the influence of Gramsci’s work on five Italian composers of the second post-war period: Bruno Maderna, Luigi Nono, Luciano Berio, Sylvano Bussotti and Giacomo Manzoni. Based on their writings, their works and their activist and artistic careers, we will try to show how Gramscia...

Full description

Bibliographic Details
Main Author: Pietro Milli
Format: Article
Language:English
Published: Éditions de l'EHESS 2021-09-01
Series:Transposition
Subjects:
Online Access:http://journals.openedition.org/transposition/6629
_version_ 1797718430551375872
author Pietro Milli
author_facet Pietro Milli
author_sort Pietro Milli
collection DOAJ
description This study addresses the influence of Gramsci’s work on five Italian composers of the second post-war period: Bruno Maderna, Luigi Nono, Luciano Berio, Sylvano Bussotti and Giacomo Manzoni. Based on their writings, their works and their activist and artistic careers, we will try to show how Gramscian thought has penetrated their discourses and practices. To this end, we will first study philosophical and sociological questions (the relationship between theory and praxis, superstructure and infrastructure, etc.), then linguistic issues (the “language question”, the dialectic of cosmopolitanism/national-popular, etc.). Finally, we will make some observations concerning the musical and political use of Gramsci’s work and its role in Italian culture, especially in relation to Adorno’s thought.
first_indexed 2024-03-12T08:50:42Z
format Article
id doaj.art-2f1f6f92482d40d0b0889a3af71574ba
institution Directory Open Access Journal
issn 2110-6134
language English
last_indexed 2024-03-12T08:50:42Z
publishDate 2021-09-01
publisher Éditions de l'EHESS
record_format Article
series Transposition
spelling doaj.art-2f1f6f92482d40d0b0889a3af71574ba2023-09-02T16:18:55ZengÉditions de l'EHESSTransposition2110-61342021-09-0110.4000/transposition.6629L’idéal qui donne sa lumière au silence : Antonio Gramsci et la culture musicale italienne de l’après-guerrePietro MilliThis study addresses the influence of Gramsci’s work on five Italian composers of the second post-war period: Bruno Maderna, Luigi Nono, Luciano Berio, Sylvano Bussotti and Giacomo Manzoni. Based on their writings, their works and their activist and artistic careers, we will try to show how Gramscian thought has penetrated their discourses and practices. To this end, we will first study philosophical and sociological questions (the relationship between theory and praxis, superstructure and infrastructure, etc.), then linguistic issues (the “language question”, the dialectic of cosmopolitanism/national-popular, etc.). Finally, we will make some observations concerning the musical and political use of Gramsci’s work and its role in Italian culture, especially in relation to Adorno’s thought.http://journals.openedition.org/transposition/6629Antonio Gramsci20th century musicBruno MadernaLuigi NonoLuciano BerioSylvano Bussotti
spellingShingle Pietro Milli
L’idéal qui donne sa lumière au silence : Antonio Gramsci et la culture musicale italienne de l’après-guerre
Transposition
Antonio Gramsci
20th century music
Bruno Maderna
Luigi Nono
Luciano Berio
Sylvano Bussotti
title L’idéal qui donne sa lumière au silence : Antonio Gramsci et la culture musicale italienne de l’après-guerre
title_full L’idéal qui donne sa lumière au silence : Antonio Gramsci et la culture musicale italienne de l’après-guerre
title_fullStr L’idéal qui donne sa lumière au silence : Antonio Gramsci et la culture musicale italienne de l’après-guerre
title_full_unstemmed L’idéal qui donne sa lumière au silence : Antonio Gramsci et la culture musicale italienne de l’après-guerre
title_short L’idéal qui donne sa lumière au silence : Antonio Gramsci et la culture musicale italienne de l’après-guerre
title_sort l ideal qui donne sa lumiere au silence antonio gramsci et la culture musicale italienne de l apres guerre
topic Antonio Gramsci
20th century music
Bruno Maderna
Luigi Nono
Luciano Berio
Sylvano Bussotti
url http://journals.openedition.org/transposition/6629
work_keys_str_mv AT pietromilli lidealquidonnesalumiereausilenceantoniogramscietlaculturemusicaleitaliennedelapresguerre