| Summary: | The rise in the 1970s of Cultural Geography saw the emergence of important contributions such as the geography of color, the geography of music (Claire Guiu), the geography of cinema and the geography of literature (Michel Collot). This article is to some extent in line with two of these currents which are at the crossroads of knowledge from music and literature with what is commonly called "geographical knowledge" (Orlando Ribeiro). In this way, we propose to build a "territorialized and literary course" based on the repertoire of songs by Georges Brassens. An itinerary where knowledge and insights both from literary and geographical studies intersect and overlap, where the words and music of Brassens ensure the necessary point of intersection which gives a broader meaning to the work that we propose to develop.
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