Multiplicity of vocal dramatic and expressive resources from the analysis of the work Sound - for four female voices, light, scene and amplification - by Luiz Carlos Csekö
This article aims to investigate the multiplicity of vocal, dramatic and expressive resources, besides to the diversity of styles and trends in the interfaces between singing and performance and the expansion of the scenic-musical space based on the analysis of the work Sound, for four female voices...
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| Format: | Article |
| Language: | English |
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Escola de Música da UFMG
2021-09-01
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| Series: | Per Musi |
| Subjects: | |
| Online Access: | https://periodicos.ufmg.br/index.php/permusi/article/view/34851 |
| _version_ | 1797778427466481664 |
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| author | Diogo Rebel e Carvalho |
| author_facet | Diogo Rebel e Carvalho |
| author_sort | Diogo Rebel e Carvalho |
| collection | DOAJ |
| description | This article aims to investigate the multiplicity of vocal, dramatic and expressive resources, besides to the diversity of styles and trends in the interfaces between singing and performance and the expansion of the scenic-musical space based on the analysis of the work Sound, for four female voices, light, scene and amplification by composer Luiz Carlos Csekö. After a brief account of the composer's trajectory, the strategies used by Csekö to register his work such as Hybrid Graphic Notation, Suspended Time and Interfaces with Multimedia and Intermediates, beyond the use of miking and amplification in his approach to the concept of electroacoustic amalgam. Apart from Sound, three selected vocal works also explored by the composer will be mentioned like the huge range of possibilities and particular sound materials, the manipulation of text translated into textures and indications of scenic elements to the interpreter. |
| first_indexed | 2024-03-12T23:17:09Z |
| format | Article |
| id | doaj.art-2fe2288bb037449489f75378288b3e17 |
| institution | Directory Open Access Journal |
| issn | 1517-7599 2317-6377 |
| language | English |
| last_indexed | 2024-03-12T23:17:09Z |
| publishDate | 2021-09-01 |
| publisher | Escola de Música da UFMG |
| record_format | Article |
| series | Per Musi |
| spelling | doaj.art-2fe2288bb037449489f75378288b3e172023-07-16T21:36:58ZengEscola de Música da UFMGPer Musi1517-75992317-63772021-09-0141202111510.35699/2317-6377.2021.34851Multiplicity of vocal dramatic and expressive resources from the analysis of the work Sound - for four female voices, light, scene and amplification - by Luiz Carlos CseköDiogo Rebel e Carvalho 0https://orcid.org/0000-0003-2894-9253Federal University of the State of Rio de Janeiro This article aims to investigate the multiplicity of vocal, dramatic and expressive resources, besides to the diversity of styles and trends in the interfaces between singing and performance and the expansion of the scenic-musical space based on the analysis of the work Sound, for four female voices, light, scene and amplification by composer Luiz Carlos Csekö. After a brief account of the composer's trajectory, the strategies used by Csekö to register his work such as Hybrid Graphic Notation, Suspended Time and Interfaces with Multimedia and Intermediates, beyond the use of miking and amplification in his approach to the concept of electroacoustic amalgam. Apart from Sound, three selected vocal works also explored by the composer will be mentioned like the huge range of possibilities and particular sound materials, the manipulation of text translated into textures and indications of scenic elements to the interpreter.https://periodicos.ufmg.br/index.php/permusi/article/view/34851contemporary vocal musicinterfaces singing performancehybrid graphic notationl. c. csekö |
| spellingShingle | Diogo Rebel e Carvalho Multiplicity of vocal dramatic and expressive resources from the analysis of the work Sound - for four female voices, light, scene and amplification - by Luiz Carlos Csekö Per Musi contemporary vocal music interfaces singing performance hybrid graphic notation l. c. csekö |
| title | Multiplicity of vocal dramatic and expressive resources from the analysis of the work Sound - for four female voices, light, scene and amplification - by Luiz Carlos Csekö |
| title_full | Multiplicity of vocal dramatic and expressive resources from the analysis of the work Sound - for four female voices, light, scene and amplification - by Luiz Carlos Csekö |
| title_fullStr | Multiplicity of vocal dramatic and expressive resources from the analysis of the work Sound - for four female voices, light, scene and amplification - by Luiz Carlos Csekö |
| title_full_unstemmed | Multiplicity of vocal dramatic and expressive resources from the analysis of the work Sound - for four female voices, light, scene and amplification - by Luiz Carlos Csekö |
| title_short | Multiplicity of vocal dramatic and expressive resources from the analysis of the work Sound - for four female voices, light, scene and amplification - by Luiz Carlos Csekö |
| title_sort | multiplicity of vocal dramatic and expressive resources from the analysis of the work sound for four female voices light scene and amplification by luiz carlos cseko |
| topic | contemporary vocal music interfaces singing performance hybrid graphic notation l. c. csekö |
| url | https://periodicos.ufmg.br/index.php/permusi/article/view/34851 |
| work_keys_str_mv | AT diogorebelecarvalho multiplicityofvocaldramaticandexpressiveresourcesfromtheanalysisoftheworksoundforfourfemalevoiceslightsceneandamplificationbyluizcarloscseko |