Anachronies, oubli et délire de théatralisation
The purpose of our work is to analyze the concept of « Sankofa » illustrated by Epupa, the character identified as mad in Léonora Miano's first novels. In this respect, our analysis will stem from Glissant's theory of «theatrical delusion ». This delirium would be the symptomatic emanation...
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| Format: | Article |
| Language: | English |
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Association Portugaise d'Etudes Françaises
2017-04-01
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| Series: | Carnets |
| Subjects: | |
| Online Access: | http://journals.openedition.org/carnets/2200 |
| _version_ | 1818043403188830208 |
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| author | Ferdulis Zita Odome Angone |
| author_facet | Ferdulis Zita Odome Angone |
| author_sort | Ferdulis Zita Odome Angone |
| collection | DOAJ |
| description | The purpose of our work is to analyze the concept of « Sankofa » illustrated by Epupa, the character identified as mad in Léonora Miano's first novels. In this respect, our analysis will stem from Glissant's theory of «theatrical delusion ». This delirium would be the symptomatic emanation of a collective amnesia at work in formerly colonized societies. In order to understand the socio-political stakes of oblivion in sub-Saharan Africa, between the duty of memory, memory work, lack of memory, abuse of memory and critical deficit. An emancipatory approach that involves the re-elaboration of inclusive memory models will be suggested in our conclusion to decolonize / decompartmentalize the transcontinental imaginary as much in sub-Saharan Africa as in the West. |
| first_indexed | 2024-12-10T09:01:39Z |
| format | Article |
| id | doaj.art-2ffc4d864b4341e581783c2b46ebc794 |
| institution | Directory Open Access Journal |
| issn | 1646-7698 |
| language | English |
| last_indexed | 2024-12-10T09:01:39Z |
| publishDate | 2017-04-01 |
| publisher | Association Portugaise d'Etudes Françaises |
| record_format | Article |
| series | Carnets |
| spelling | doaj.art-2ffc4d864b4341e581783c2b46ebc7942022-12-22T01:55:15ZengAssociation Portugaise d'Etudes FrançaisesCarnets1646-76982017-04-011010.4000/carnets.2200Anachronies, oubli et délire de théatralisationFerdulis Zita Odome AngoneThe purpose of our work is to analyze the concept of « Sankofa » illustrated by Epupa, the character identified as mad in Léonora Miano's first novels. In this respect, our analysis will stem from Glissant's theory of «theatrical delusion ». This delirium would be the symptomatic emanation of a collective amnesia at work in formerly colonized societies. In order to understand the socio-political stakes of oblivion in sub-Saharan Africa, between the duty of memory, memory work, lack of memory, abuse of memory and critical deficit. An emancipatory approach that involves the re-elaboration of inclusive memory models will be suggested in our conclusion to decolonize / decompartmentalize the transcontinental imaginary as much in sub-Saharan Africa as in the West.http://journals.openedition.org/carnets/2200francophone literatureSankofaanachronyhistoryforgetfulness |
| spellingShingle | Ferdulis Zita Odome Angone Anachronies, oubli et délire de théatralisation Carnets francophone literature Sankofa anachrony history forgetfulness |
| title | Anachronies, oubli et délire de théatralisation |
| title_full | Anachronies, oubli et délire de théatralisation |
| title_fullStr | Anachronies, oubli et délire de théatralisation |
| title_full_unstemmed | Anachronies, oubli et délire de théatralisation |
| title_short | Anachronies, oubli et délire de théatralisation |
| title_sort | anachronies oubli et delire de theatralisation |
| topic | francophone literature Sankofa anachrony history forgetfulness |
| url | http://journals.openedition.org/carnets/2200 |
| work_keys_str_mv | AT ferduliszitaodomeangone anachroniesoublietdeliredetheatralisation |