Hans Rose, Commentary to Heinrich Wölfflin, Renaissance and Baroque, fourth edition, Munich: Bruckmann, 1926, 181-328, translation by Arnold Witte and Andrew Hopkins

The Commentary by Hans Rose was published as an appendix to the fourth edition of Heinrich Wölfflin’s Renaissance und Barock - eine Untersuchung über Wesen und Entstehung des Barockstils in Italien, published in 1926. It was almost as long as the original text by Wölfflin and intended to discuss the...

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Main Authors: Arnold Witte, Andrew Hopkins
Format: Article
Language:English
Published: Department of Art History, University of Birmingham 2016-06-01
Series:Journal of Art Historiography
Subjects:
Online Access:https://arthistoriography.wordpress.com/witte-hopkins-rose-trans/
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author Arnold Witte
Andrew Hopkins
author_facet Arnold Witte
Andrew Hopkins
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description The Commentary by Hans Rose was published as an appendix to the fourth edition of Heinrich Wölfflin’s Renaissance und Barock - eine Untersuchung über Wesen und Entstehung des Barockstils in Italien, published in 1926. It was almost as long as the original text by Wölfflin and intended to discuss the new approaches on the Italian Baroque developed in German academia in the 1920s. It was divided up into four sections of unequal length, which discuss Subjectivism, Material and Colour, Urban Planning, and St Peter’s respectively.
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spelling doaj.art-30596381241c4822bd232cd970bfacd92022-12-22T01:02:13ZengDepartment of Art History, University of BirminghamJournal of Art Historiography2042-47522016-06-011414WHR1Hans Rose, Commentary to Heinrich Wölfflin, Renaissance and Baroque, fourth edition, Munich: Bruckmann, 1926, 181-328, translation by Arnold Witte and Andrew HopkinsArnold Witte 0Andrew Hopkins 1University of Amsterdam and Royal Netherlands Institute in Rome(University of L’AquilaThe Commentary by Hans Rose was published as an appendix to the fourth edition of Heinrich Wölfflin’s Renaissance und Barock - eine Untersuchung über Wesen und Entstehung des Barockstils in Italien, published in 1926. It was almost as long as the original text by Wölfflin and intended to discuss the new approaches on the Italian Baroque developed in German academia in the 1920s. It was divided up into four sections of unequal length, which discuss Subjectivism, Material and Colour, Urban Planning, and St Peter’s respectively.https://arthistoriography.wordpress.com/witte-hopkins-rose-trans/WölfflinRenaissance und BarockHans Rosecommentary
spellingShingle Arnold Witte
Andrew Hopkins
Hans Rose, Commentary to Heinrich Wölfflin, Renaissance and Baroque, fourth edition, Munich: Bruckmann, 1926, 181-328, translation by Arnold Witte and Andrew Hopkins
Journal of Art Historiography
Wölfflin
Renaissance und Barock
Hans Rose
commentary
title Hans Rose, Commentary to Heinrich Wölfflin, Renaissance and Baroque, fourth edition, Munich: Bruckmann, 1926, 181-328, translation by Arnold Witte and Andrew Hopkins
title_full Hans Rose, Commentary to Heinrich Wölfflin, Renaissance and Baroque, fourth edition, Munich: Bruckmann, 1926, 181-328, translation by Arnold Witte and Andrew Hopkins
title_fullStr Hans Rose, Commentary to Heinrich Wölfflin, Renaissance and Baroque, fourth edition, Munich: Bruckmann, 1926, 181-328, translation by Arnold Witte and Andrew Hopkins
title_full_unstemmed Hans Rose, Commentary to Heinrich Wölfflin, Renaissance and Baroque, fourth edition, Munich: Bruckmann, 1926, 181-328, translation by Arnold Witte and Andrew Hopkins
title_short Hans Rose, Commentary to Heinrich Wölfflin, Renaissance and Baroque, fourth edition, Munich: Bruckmann, 1926, 181-328, translation by Arnold Witte and Andrew Hopkins
title_sort hans rose commentary to heinrich wolfflin renaissance and baroque fourth edition munich bruckmann 1926 181 328 translation by arnold witte and andrew hopkins
topic Wölfflin
Renaissance und Barock
Hans Rose
commentary
url https://arthistoriography.wordpress.com/witte-hopkins-rose-trans/
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