The Concrete and the Ephemeral of Electronic Music Production
Main Author: | Colin P. McGuire |
---|---|
Format: | Article |
Language: | English |
Published: |
University of Huddersfield, Department of Music
2014-06-01
|
Series: | Dancecult: Journal of Electronic Dance Music Culture |
Subjects: | |
Online Access: | https://dj.dancecult.net/index.php/dancecult/article/view/457 |
Similar Items
-
Life and Death on the New York Dance Floor 1980–1983 (Tim Lawrence)
by: Charlie - De Ledesma
Published: (2016-11-01) -
« C’est ça le futur des soirées ? » Les musiques électroniques de danse à l’épreuve du livestream et de la COVID-19
by: Frédéric Trottier-Pistien -
Concomitant repair of stress urinary incontinence with proximal urethrovaginal fistula: Our experience
by: Subbarao Chodisetti, et al.
Published: (2016-01-01) -
Crossdressing to Backbeats: The Status of the Electroclash Producer and the Politics of Electronic Music
by: David Madden
Published: (2012-11-01) -
Appropriation, Additive Approaches and Accidents: The Sampler as Compositional Tool and Recording Dislocation
by: Paul Harkins
Published: (2010-01-01)