Childhood and Exile in Chilean Cinema

This article approaches the trauma of the Chilean dictatorship through the intersection between childhood and exile. It analyzes the role of childhood in Chilean exile cinema, focusing on documentaries produced throughout the 1970s and 80s. We will study the presence of childhood as a symbol in the...

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Main Authors: José Miguel Palacios, Catalina Donoso Pinto
Format: Article
Language:English
Published: Iberoamericana / Vervuert 2017-07-01
Series:Iberoamericana. América Latina - España - Portugal
Subjects:
Online Access:http://journals.iai.spk-berlin.de/index.php/iberoamericana/article/view/2376
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author José Miguel Palacios
Catalina Donoso Pinto
author_facet José Miguel Palacios
Catalina Donoso Pinto
author_sort José Miguel Palacios
collection DOAJ
description This article approaches the trauma of the Chilean dictatorship through the intersection between childhood and exile. It analyzes the role of childhood in Chilean exile cinema, focusing on documentaries produced throughout the 1970s and 80s. We will study the presence of childhood as a symbol in the political imaginary of exile, discuss the ways in which cinema recognizes and authorizes children’s testimony, and cover the dilemmas of desexilio and counter-nostalgia in films devoted to the theme of return. The article argues that Chilean exile cinema turns to childhood as a key experience to understand the cultural phenomenon of uprootment, its psychological and social repercussions, and its role in the formation of an exilic subjectivity.
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spelling doaj.art-3079b15897154b23a35ed1039b9dacc42022-12-21T19:11:34ZengIberoamericana / VervuertIberoamericana. América Latina - España - Portugal1577-33882255-520X2017-07-011765456610.18441/ibam.17.2017.65.45-661858Childhood and Exile in Chilean CinemaJosé Miguel PalaciosCatalina Donoso PintoThis article approaches the trauma of the Chilean dictatorship through the intersection between childhood and exile. It analyzes the role of childhood in Chilean exile cinema, focusing on documentaries produced throughout the 1970s and 80s. We will study the presence of childhood as a symbol in the political imaginary of exile, discuss the ways in which cinema recognizes and authorizes children’s testimony, and cover the dilemmas of desexilio and counter-nostalgia in films devoted to the theme of return. The article argues that Chilean exile cinema turns to childhood as a key experience to understand the cultural phenomenon of uprootment, its psychological and social repercussions, and its role in the formation of an exilic subjectivity.http://journals.iai.spk-berlin.de/index.php/iberoamericana/article/view/2376ChildhoodExileDocumentarySubjectivityMemoryChile
spellingShingle José Miguel Palacios
Catalina Donoso Pinto
Childhood and Exile in Chilean Cinema
Iberoamericana. América Latina - España - Portugal
Childhood
Exile
Documentary
Subjectivity
Memory
Chile
title Childhood and Exile in Chilean Cinema
title_full Childhood and Exile in Chilean Cinema
title_fullStr Childhood and Exile in Chilean Cinema
title_full_unstemmed Childhood and Exile in Chilean Cinema
title_short Childhood and Exile in Chilean Cinema
title_sort childhood and exile in chilean cinema
topic Childhood
Exile
Documentary
Subjectivity
Memory
Chile
url http://journals.iai.spk-berlin.de/index.php/iberoamericana/article/view/2376
work_keys_str_mv AT josemiguelpalacios childhoodandexileinchileancinema
AT catalinadonosopinto childhoodandexileinchileancinema