Roma, Sepolcreto della via Ostiense: le pitture murali e la loro conservazione. Tecnica, modalità decorative, cronologia
Along via Ostiensis, near the St. Paul’s Basilica, an important part of a roman cemetery was digged up in 1917 during roadworks and now it is still visible. This funerary area, where the most common typology is a small familiar building (columbarium), was dated from the 2nd century B.C. to 3rd-4th...
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Format: | Article |
Language: | deu |
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Firenze University Press
2023-07-01
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Series: | Restauro Archeologico |
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Online Access: | https://oaj.fupress.net/index.php/ra/article/view/14205 |
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author | Simona Pannuzi Marina Marcelli Cecilia Balsi Carla Giovannone Mauro Torre Stefano Ridolfi |
author_facet | Simona Pannuzi Marina Marcelli Cecilia Balsi Carla Giovannone Mauro Torre Stefano Ridolfi |
author_sort | Simona Pannuzi |
collection | DOAJ |
description |
Along via Ostiensis, near the St. Paul’s Basilica, an important part of a roman cemetery was digged up in 1917 during roadworks and now it is still visible. This funerary area, where the most common typology is a small familiar building (columbarium), was dated from the 2nd century B.C. to 3rd-4th century A.D. At the end of the archaeological survey, only a little part of the funerary area was restored, provided with a covering and opened to the public. Elegant paintings of natural and mythological elements decorate most of the tombs, in some cases also connected with stucco decorations, and they constitute one of the most significant testimonies of the funerary art in Rome. Actually, an interdisciplinary research is focused to the study of the painted decorations, with the analysis of the painting technique and the pigments used. Moreover, based on the study of the successive restorations carried out during the twentieth-century and actual conservative state of the funerary building decorations, the investigation of the degradation phenomena of these architectural surfaces is in progress, in order to the monitoring, the maintenance and the conservation of these important frescos.
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first_indexed | 2024-03-12T21:57:50Z |
format | Article |
id | doaj.art-309f6159e8734afc98aed35d82f1ce44 |
institution | Directory Open Access Journal |
issn | 1724-9686 2465-2377 |
language | deu |
last_indexed | 2024-03-12T21:57:50Z |
publishDate | 2023-07-01 |
publisher | Firenze University Press |
record_format | Article |
series | Restauro Archeologico |
spelling | doaj.art-309f6159e8734afc98aed35d82f1ce442023-07-25T14:40:11ZdeuFirenze University PressRestauro Archeologico1724-96862465-23772023-07-0130210.36253/rar-14205Roma, Sepolcreto della via Ostiense: le pitture murali e la loro conservazione. Tecnica, modalità decorative, cronologiaSimona Pannuzi0Marina Marcelli1Cecilia Balsi2Carla Giovannone3Mauro Torre4Stefano Ridolfi5Ministero della Cultura, Istituto Centrale per il RestauroSovrintendenza Capitolina ai Beni Culturalifreelance restorerMinistero della Cultura, Istituto Centrale per il RestauroMinistero della Cultura, Istituto Centrale per il Restaurowww.arsmensurae.it Along via Ostiensis, near the St. Paul’s Basilica, an important part of a roman cemetery was digged up in 1917 during roadworks and now it is still visible. This funerary area, where the most common typology is a small familiar building (columbarium), was dated from the 2nd century B.C. to 3rd-4th century A.D. At the end of the archaeological survey, only a little part of the funerary area was restored, provided with a covering and opened to the public. Elegant paintings of natural and mythological elements decorate most of the tombs, in some cases also connected with stucco decorations, and they constitute one of the most significant testimonies of the funerary art in Rome. Actually, an interdisciplinary research is focused to the study of the painted decorations, with the analysis of the painting technique and the pigments used. Moreover, based on the study of the successive restorations carried out during the twentieth-century and actual conservative state of the funerary building decorations, the investigation of the degradation phenomena of these architectural surfaces is in progress, in order to the monitoring, the maintenance and the conservation of these important frescos. https://oaj.fupress.net/index.php/ra/article/view/14205Necropolispaintings pigmentsdiagnostic investigationsconservation |
spellingShingle | Simona Pannuzi Marina Marcelli Cecilia Balsi Carla Giovannone Mauro Torre Stefano Ridolfi Roma, Sepolcreto della via Ostiense: le pitture murali e la loro conservazione. Tecnica, modalità decorative, cronologia Restauro Archeologico Necropolis paintings pigments diagnostic investigations conservation |
title | Roma, Sepolcreto della via Ostiense: le pitture murali e la loro conservazione. Tecnica, modalità decorative, cronologia |
title_full | Roma, Sepolcreto della via Ostiense: le pitture murali e la loro conservazione. Tecnica, modalità decorative, cronologia |
title_fullStr | Roma, Sepolcreto della via Ostiense: le pitture murali e la loro conservazione. Tecnica, modalità decorative, cronologia |
title_full_unstemmed | Roma, Sepolcreto della via Ostiense: le pitture murali e la loro conservazione. Tecnica, modalità decorative, cronologia |
title_short | Roma, Sepolcreto della via Ostiense: le pitture murali e la loro conservazione. Tecnica, modalità decorative, cronologia |
title_sort | roma sepolcreto della via ostiense le pitture murali e la loro conservazione tecnica modalita decorative cronologia |
topic | Necropolis paintings pigments diagnostic investigations conservation |
url | https://oaj.fupress.net/index.php/ra/article/view/14205 |
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