Musical Tradition in Latinamerica: a bonding between Cuba and Mexico
A common principle bonds all Latin American cultures: mixture. The processes of acculturation, deculturation and transculturation that Fernando Ortiz defined are imminent in any location in Latin America. If we discuss genealogic develop of musical genres and styles, we can find a common trunk in La...
| Main Authors: | , |
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| Format: | Article |
| Language: | English |
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Universidad Técnica de Manabí
2019-08-01
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| Series: | RECUS |
| Online Access: | https://revistas.utm.edu.ec/index.php/Recus/article/view/2026 |
| _version_ | 1818947868937945088 |
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| author | Norma Estela García López Ana María Sedeño Valdellós |
| author_facet | Norma Estela García López Ana María Sedeño Valdellós |
| author_sort | Norma Estela García López |
| collection | DOAJ |
| description | A common principle bonds all Latin American cultures: mixture. The processes of acculturation, deculturation and transculturation that Fernando Ortiz defined are imminent in any location in Latin America. If we discuss genealogic develop of musical genres and styles, we can find a common trunk in Latin American music. Although its branches are open and varied, you can also find a confluence in their thinking, a historical becoming marked by the relationship with politics and a feedback of their genres. One of those cases is that of Danzón, both Cuban and Mexican, which puts it in the spotlight if one wants to talk about cultural relations in the Latin American space. Both the cultured and popular scene share in Cuba and Mexico a history of the search for the identity and the native, through musical heritage. |
| first_indexed | 2024-12-20T08:37:45Z |
| format | Article |
| id | doaj.art-30bee70f1b564cc791336f2d6eb39288 |
| institution | Directory Open Access Journal |
| issn | 2528-8075 |
| language | English |
| last_indexed | 2024-12-20T08:37:45Z |
| publishDate | 2019-08-01 |
| publisher | Universidad Técnica de Manabí |
| record_format | Article |
| series | RECUS |
| spelling | doaj.art-30bee70f1b564cc791336f2d6eb392882022-12-21T19:46:29ZengUniversidad Técnica de ManabíRECUS2528-80752019-08-0142333710.33936/recus.v4i2.20262026Musical Tradition in Latinamerica: a bonding between Cuba and MexicoNorma Estela García López0Ana María Sedeño Valdellós1Universidad de Málaga, EspañaUniversidad de Málaga, EspañaA common principle bonds all Latin American cultures: mixture. The processes of acculturation, deculturation and transculturation that Fernando Ortiz defined are imminent in any location in Latin America. If we discuss genealogic develop of musical genres and styles, we can find a common trunk in Latin American music. Although its branches are open and varied, you can also find a confluence in their thinking, a historical becoming marked by the relationship with politics and a feedback of their genres. One of those cases is that of Danzón, both Cuban and Mexican, which puts it in the spotlight if one wants to talk about cultural relations in the Latin American space. Both the cultured and popular scene share in Cuba and Mexico a history of the search for the identity and the native, through musical heritage.https://revistas.utm.edu.ec/index.php/Recus/article/view/2026 |
| spellingShingle | Norma Estela García López Ana María Sedeño Valdellós Musical Tradition in Latinamerica: a bonding between Cuba and Mexico RECUS |
| title | Musical Tradition in Latinamerica: a bonding between Cuba and Mexico |
| title_full | Musical Tradition in Latinamerica: a bonding between Cuba and Mexico |
| title_fullStr | Musical Tradition in Latinamerica: a bonding between Cuba and Mexico |
| title_full_unstemmed | Musical Tradition in Latinamerica: a bonding between Cuba and Mexico |
| title_short | Musical Tradition in Latinamerica: a bonding between Cuba and Mexico |
| title_sort | musical tradition in latinamerica a bonding between cuba and mexico |
| url | https://revistas.utm.edu.ec/index.php/Recus/article/view/2026 |
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