Conceptual epicenters of digital collage with a theoretical vocation

The application of drawings on the photographic support began to be practiced by architects since the end of the nineteenth century and it developed during the first decades of the 20th century, when it was contaminated by the success of the artistic collage. The views obtained through collage explo...

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Main Author: Anna Rosellini
Format: Article
Language:English
Published: University of Bologna 2020-05-01
Series:piano b
Subjects:
Online Access:https://pianob.unibo.it/article/view/11023
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author Anna Rosellini
author_facet Anna Rosellini
author_sort Anna Rosellini
collection DOAJ
description The application of drawings on the photographic support began to be practiced by architects since the end of the nineteenth century and it developed during the first decades of the 20th century, when it was contaminated by the success of the artistic collage. The views obtained through collage exploit the realism of photography to demonstrate a possible future. In this way, the visionariness of thought becomes an existing work and the representation of architecture escapes conventions and enters the territories of narration. The use of collage to enhance the theoretical and narrative value of the project is experimented during the 20th century, and then finds a concrete substance in the 21st century, thanks to the process of digital collage. The collage technique of the digital era allows to conceive images with narrative values, capable of defining cultural visions of architecture. The essay analyses what can be considered the conceptual epicenters of digital collage with a theoretical vocation.
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spelling doaj.art-30c61e73805e440884b33cf30bc4df9f2022-12-22T02:39:44ZengUniversity of Bolognapiano b2531-98762020-05-014210.6092/issn.2531-9876/110239182Conceptual epicenters of digital collage with a theoretical vocationAnna Rosellini0Università di BolognaThe application of drawings on the photographic support began to be practiced by architects since the end of the nineteenth century and it developed during the first decades of the 20th century, when it was contaminated by the success of the artistic collage. The views obtained through collage exploit the realism of photography to demonstrate a possible future. In this way, the visionariness of thought becomes an existing work and the representation of architecture escapes conventions and enters the territories of narration. The use of collage to enhance the theoretical and narrative value of the project is experimented during the 20th century, and then finds a concrete substance in the 21st century, thanks to the process of digital collage. The collage technique of the digital era allows to conceive images with narrative values, capable of defining cultural visions of architecture. The essay analyses what can be considered the conceptual epicenters of digital collage with a theoretical vocation.https://pianob.unibo.it/article/view/11023collageepicentriprogettoarchitetturarappresentazione
spellingShingle Anna Rosellini
Conceptual epicenters of digital collage with a theoretical vocation
piano b
collage
epicentri
progetto
architettura
rappresentazione
title Conceptual epicenters of digital collage with a theoretical vocation
title_full Conceptual epicenters of digital collage with a theoretical vocation
title_fullStr Conceptual epicenters of digital collage with a theoretical vocation
title_full_unstemmed Conceptual epicenters of digital collage with a theoretical vocation
title_short Conceptual epicenters of digital collage with a theoretical vocation
title_sort conceptual epicenters of digital collage with a theoretical vocation
topic collage
epicentri
progetto
architettura
rappresentazione
url https://pianob.unibo.it/article/view/11023
work_keys_str_mv AT annarosellini conceptualepicentersofdigitalcollagewithatheoreticalvocation