The Pandemic Event: Notes from the Venice Film Festival 2020
The essay aims to explore the conditions under which the Venice Film Festival was held in 2020. This is a crucial historic moment in which the international festival system sees some events converted into a completely online version, others postponed to a later date, and still others articulated in...
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Format: | Article |
Language: | English |
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OBOE On Biennials and Other Exhibitions Associazione Culturale
2021-08-01
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Series: | OBOE |
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Online Access: | https://www.oboejournal.com/index.php/oboe/article/view/40 |
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author | Marco Bertozzi |
author_facet | Marco Bertozzi |
author_sort | Marco Bertozzi |
collection | DOAJ |
description | The essay aims to explore the conditions under which the Venice Film Festival was held in 2020. This is a crucial historic moment in which the international festival system sees some events converted into a completely online version, others postponed to a later date, and still others articulated in a hybrid way, depending on the evolution of the pandemic in progress. Among these emergency solutions, discussed in the impalpable digital body of online culture, what are the choices adopted by the Venice Film Festival? While the exhibition reduces the glamorous aspects to reflect on the ways of organising and showing oneself, of protecting the spectators and giving them an idea of normality, the emphasis on the “ways of doing” of this edition is the subject of unprecedented media attention. By recording the tremors of contemporary history like a seismograph, the Venice Film Festival becomes a testing ground both for the Italian “country system”, in the idea of more general rebirths, and for the most innovative trends in film curatorship, confirming its role as a privileged witness of changes, adaptations and reflections in institutional policies linked to culture and its diffusion. |
first_indexed | 2024-12-18T23:01:24Z |
format | Article |
id | doaj.art-30d083d937cb4f8fbc778c50616164f9 |
institution | Directory Open Access Journal |
issn | 2724-086X |
language | English |
last_indexed | 2024-12-18T23:01:24Z |
publishDate | 2021-08-01 |
publisher | OBOE On Biennials and Other Exhibitions Associazione Culturale |
record_format | Article |
series | OBOE |
spelling | doaj.art-30d083d937cb4f8fbc778c50616164f92022-12-21T20:48:33ZengOBOE On Biennials and Other Exhibitions Associazione CulturaleOBOE2724-086X2021-08-012110.25432/2724-086X/2.1.000738The Pandemic Event: Notes from the Venice Film Festival 2020Marco BertozziThe essay aims to explore the conditions under which the Venice Film Festival was held in 2020. This is a crucial historic moment in which the international festival system sees some events converted into a completely online version, others postponed to a later date, and still others articulated in a hybrid way, depending on the evolution of the pandemic in progress. Among these emergency solutions, discussed in the impalpable digital body of online culture, what are the choices adopted by the Venice Film Festival? While the exhibition reduces the glamorous aspects to reflect on the ways of organising and showing oneself, of protecting the spectators and giving them an idea of normality, the emphasis on the “ways of doing” of this edition is the subject of unprecedented media attention. By recording the tremors of contemporary history like a seismograph, the Venice Film Festival becomes a testing ground both for the Italian “country system”, in the idea of more general rebirths, and for the most innovative trends in film curatorship, confirming its role as a privileged witness of changes, adaptations and reflections in institutional policies linked to culture and its diffusion.https://www.oboejournal.com/index.php/oboe/article/view/40festival during the pandemicvenice film festivalcuratorial criteriafestival ritualsinstitutional cultural policiescinematic broadcasting via streaming |
spellingShingle | Marco Bertozzi The Pandemic Event: Notes from the Venice Film Festival 2020 OBOE festival during the pandemic venice film festival curatorial criteria festival rituals institutional cultural policies cinematic broadcasting via streaming |
title | The Pandemic Event: Notes from the Venice Film Festival 2020 |
title_full | The Pandemic Event: Notes from the Venice Film Festival 2020 |
title_fullStr | The Pandemic Event: Notes from the Venice Film Festival 2020 |
title_full_unstemmed | The Pandemic Event: Notes from the Venice Film Festival 2020 |
title_short | The Pandemic Event: Notes from the Venice Film Festival 2020 |
title_sort | pandemic event notes from the venice film festival 2020 |
topic | festival during the pandemic venice film festival curatorial criteria festival rituals institutional cultural policies cinematic broadcasting via streaming |
url | https://www.oboejournal.com/index.php/oboe/article/view/40 |
work_keys_str_mv | AT marcobertozzi thepandemiceventnotesfromthevenicefilmfestival2020 AT marcobertozzi pandemiceventnotesfromthevenicefilmfestival2020 |