The Mexican Walls: A Challenge for the Female Spanish Exiled Artists

This paper focuses on the muralism of the female Spanish artists exiled in Mexico after the Spanish Civil War. Although we are studying some specific artists, the murals which we explain here –some of them unknown until now– show the female refugees’ interest in actively inserting themselves not onl...

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Main Author: Carmen Gaitan Salinas
Format: Article
Language:English
Published: Universidad Complutense de Madrid 2018-06-01
Series:Investigaciones Feministas
Subjects:
Online Access:http://revistas.ucm.es/index.php/INFE/article/view/56012
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author Carmen Gaitan Salinas
author_facet Carmen Gaitan Salinas
author_sort Carmen Gaitan Salinas
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description This paper focuses on the muralism of the female Spanish artists exiled in Mexico after the Spanish Civil War. Although we are studying some specific artists, the murals which we explain here –some of them unknown until now– show the female refugees’ interest in actively inserting themselves not only in the Mexican society but also in their culture. Thanks to the work of Germaine Greer, we can elucidate which were the difficulties in the Mexican country and why their interventions were such limited. In that way, on the following pages, we study Manuela Ballester’s productions in leisure space or Elvira Gascón’s contributions in the religious context, pass through Mary Martín’s or Regina Raull’s isolated participations. In any case, these artists did not yield to the artistic practices that supposedly belong to them, but they knew to adapt themselves to the new requirements, making themselves visible on the Mexican walls.
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spelling doaj.art-30dabdfbb4784312b13ea73ede67ef6d2022-12-22T00:39:16ZengUniversidad Complutense de MadridInvestigaciones Feministas2171-60802018-06-0191476610.5209/INFE.5601254779The Mexican Walls: A Challenge for the Female Spanish Exiled ArtistsCarmen Gaitan Salinas0Instituto de Historia, CSICThis paper focuses on the muralism of the female Spanish artists exiled in Mexico after the Spanish Civil War. Although we are studying some specific artists, the murals which we explain here –some of them unknown until now– show the female refugees’ interest in actively inserting themselves not only in the Mexican society but also in their culture. Thanks to the work of Germaine Greer, we can elucidate which were the difficulties in the Mexican country and why their interventions were such limited. In that way, on the following pages, we study Manuela Ballester’s productions in leisure space or Elvira Gascón’s contributions in the religious context, pass through Mary Martín’s or Regina Raull’s isolated participations. In any case, these artists did not yield to the artistic practices that supposedly belong to them, but they knew to adapt themselves to the new requirements, making themselves visible on the Mexican walls.http://revistas.ucm.es/index.php/INFE/article/view/56012Muralismoexiliadaspintorashistoria contemporáneaestudios de género.
spellingShingle Carmen Gaitan Salinas
The Mexican Walls: A Challenge for the Female Spanish Exiled Artists
Investigaciones Feministas
Muralismo
exiliadas
pintoras
historia contemporánea
estudios de género.
title The Mexican Walls: A Challenge for the Female Spanish Exiled Artists
title_full The Mexican Walls: A Challenge for the Female Spanish Exiled Artists
title_fullStr The Mexican Walls: A Challenge for the Female Spanish Exiled Artists
title_full_unstemmed The Mexican Walls: A Challenge for the Female Spanish Exiled Artists
title_short The Mexican Walls: A Challenge for the Female Spanish Exiled Artists
title_sort mexican walls a challenge for the female spanish exiled artists
topic Muralismo
exiliadas
pintoras
historia contemporánea
estudios de género.
url http://revistas.ucm.es/index.php/INFE/article/view/56012
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AT carmengaitansalinas mexicanwallsachallengeforthefemalespanishexiledartists