Iconographies for Children and Development of Imaginary: Emblematic Examples

The illustration for children is set up as an artistic-narrative language acting with extreme power and incisiveness on the creation of the visual imaginary, whether it be 'simple' set to the verbal or complementary text, or totally 'unhooked' from that in the story function, as...

Full description

Bibliographic Details
Main Author: Chiara Lepri
Format: Article
Language:English
Published: Firenze University Press 2016-07-01
Series:Studi sulla Formazione
Online Access:https://oajournals.fupress.net/index.php/sf/article/view/9128
_version_ 1811284964030808064
author Chiara Lepri
author_facet Chiara Lepri
author_sort Chiara Lepri
collection DOAJ
description The illustration for children is set up as an artistic-narrative language acting with extreme power and incisiveness on the creation of the visual imaginary, whether it be 'simple' set to the verbal or complementary text, or totally 'unhooked' from that in the story function, as it happens, for example, in the silent books. Those involved in educational sciences and those who approach children's literature should probe the illustrator's point of view, particularly when the latter is shrewd and conscious and, at the same time, freely expresses a remarkable artistic sensitivity in the performance of his/her job.
first_indexed 2024-04-13T02:37:28Z
format Article
id doaj.art-30eb88f4057742c793a1aee1f5decf21
institution Directory Open Access Journal
issn 2036-6981
language English
last_indexed 2024-04-13T02:37:28Z
publishDate 2016-07-01
publisher Firenze University Press
record_format Article
series Studi sulla Formazione
spelling doaj.art-30eb88f4057742c793a1aee1f5decf212022-12-22T03:06:19ZengFirenze University PressStudi sulla Formazione2036-69812016-07-0119110.13128/Studi_Formaz-1857115460Iconographies for Children and Development of Imaginary: Emblematic ExamplesChiara LepriThe illustration for children is set up as an artistic-narrative language acting with extreme power and incisiveness on the creation of the visual imaginary, whether it be 'simple' set to the verbal or complementary text, or totally 'unhooked' from that in the story function, as it happens, for example, in the silent books. Those involved in educational sciences and those who approach children's literature should probe the illustrator's point of view, particularly when the latter is shrewd and conscious and, at the same time, freely expresses a remarkable artistic sensitivity in the performance of his/her job.https://oajournals.fupress.net/index.php/sf/article/view/9128
spellingShingle Chiara Lepri
Iconographies for Children and Development of Imaginary: Emblematic Examples
Studi sulla Formazione
title Iconographies for Children and Development of Imaginary: Emblematic Examples
title_full Iconographies for Children and Development of Imaginary: Emblematic Examples
title_fullStr Iconographies for Children and Development of Imaginary: Emblematic Examples
title_full_unstemmed Iconographies for Children and Development of Imaginary: Emblematic Examples
title_short Iconographies for Children and Development of Imaginary: Emblematic Examples
title_sort iconographies for children and development of imaginary emblematic examples
url https://oajournals.fupress.net/index.php/sf/article/view/9128
work_keys_str_mv AT chiaralepri iconographiesforchildrenanddevelopmentofimaginaryemblematicexamples