Tonel: Teaterikalitas Pascakolonial Masyarakat Tansi Sawahlunto

Tonel is a dramatic performing arts that has been living in Tansi Society, Sawahlunto, Sumatera Barat. This study is a preliminary review of the tonel existence in the present time that related to the history of Sawahlunto as a colonialization effect. This research use descriptive analysis of study...

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Main Author: Dede Pramayoza
Format: Article
Language:English
Published: Universitas Gadjah Mada 2016-06-01
Series:Jurnal Kajian Seni
Subjects:
Online Access:https://jurnal.ugm.ac.id/jks/article/view/11636
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author Dede Pramayoza
author_facet Dede Pramayoza
author_sort Dede Pramayoza
collection DOAJ
description Tonel is a dramatic performing arts that has been living in Tansi Society, Sawahlunto, Sumatera Barat. This study is a preliminary review of the tonel existence in the present time that related to the history of Sawahlunto as a colonialization effect. This research use descriptive analysis of study literature and interview, the description is directed to explore the postcolonial indication contained in tonel staging practices. The results answered that tonel is a part of a hybrid product in creoles culture, as the effects of colonial policy in the past. In other hand, the study also explained that through theatricality of tonel had an impected for Tansi society of Sawahlunto to create a new cultural identity as “Slunto Peoples”
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spelling doaj.art-311991642f8e4bc098deb7136088987b2022-12-22T02:52:43ZengUniversitas Gadjah MadaJurnal Kajian Seni2356-296X2356-30012016-06-011211412910.22146/art.116369185Tonel: Teaterikalitas Pascakolonial Masyarakat Tansi SawahluntoDede Pramayoza0Prodi Seni Teater Fakultas Seni Pertunjukan, ISI PadangpanjangTonel is a dramatic performing arts that has been living in Tansi Society, Sawahlunto, Sumatera Barat. This study is a preliminary review of the tonel existence in the present time that related to the history of Sawahlunto as a colonialization effect. This research use descriptive analysis of study literature and interview, the description is directed to explore the postcolonial indication contained in tonel staging practices. The results answered that tonel is a part of a hybrid product in creoles culture, as the effects of colonial policy in the past. In other hand, the study also explained that through theatricality of tonel had an impected for Tansi society of Sawahlunto to create a new cultural identity as “Slunto Peoples”https://jurnal.ugm.ac.id/jks/article/view/11636toneltheatricalitypostcolonialtansi society
spellingShingle Dede Pramayoza
Tonel: Teaterikalitas Pascakolonial Masyarakat Tansi Sawahlunto
Jurnal Kajian Seni
tonel
theatricality
postcolonial
tansi society
title Tonel: Teaterikalitas Pascakolonial Masyarakat Tansi Sawahlunto
title_full Tonel: Teaterikalitas Pascakolonial Masyarakat Tansi Sawahlunto
title_fullStr Tonel: Teaterikalitas Pascakolonial Masyarakat Tansi Sawahlunto
title_full_unstemmed Tonel: Teaterikalitas Pascakolonial Masyarakat Tansi Sawahlunto
title_short Tonel: Teaterikalitas Pascakolonial Masyarakat Tansi Sawahlunto
title_sort tonel teaterikalitas pascakolonial masyarakat tansi sawahlunto
topic tonel
theatricality
postcolonial
tansi society
url https://jurnal.ugm.ac.id/jks/article/view/11636
work_keys_str_mv AT dedepramayoza tonelteaterikalitaspascakolonialmasyarakattansisawahlunto